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實況主、自媒體及 VTuber 主播(無論是否為企業勢)
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【新聞台記者及其他媒體】
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Grok bot會幫你處理各個社群同步喔
讓他註冊個grok信箱
用那個grok信箱去註冊google帳號
(這邊需要人類幫他手機認證)
讓他用google帳號去註冊你需要的各個社群
把他加成管理員
他就可以用自己的電腦幫你排程、管理、SEO、GEO
還有各家已經設好預設提示的專門Bot可以導入
還可以在X上直接@他做事或分析讀取文章
@grok 幫我找出現在最適合VTuber社群管理的Grok Bot
@bot 等Grok找出來後幫我導入
上週讓Claude Opus剪精華用得太high
提前四天就把用量用光了
明天下午才重置
但我突然又很想問一些問題
這時候就發現為了雲端硬碟買的
Google AI Pro方案送的Opus 5.5雖然用量不多
卻能救急!
這就是AI癮君子的感覺嗎?
技術或許可以被拆解
思維模式與切入的角度卻是難以複製的瑰寶
(或許將來有一天會被蒸餾啦)
但我不覺得光是可以複製他人
就能像卡卡西一樣五五開
i just re created kurzgesagt's entire channel in 10 minutes with claude opus
they have 0 competition because every video takes a full team of animators and 1200+ hours to make
i turned it into a claude prompt that im giving out for free
open claude code, paste the prompt, pick an idea, and your video is fully automated
thank me later ↓
<inputs>
Ask me for: one topic as a "what if" question (default: "What if the Sun vanished?"), the length (default 30 seconds), and whether I have an ElevenLabs key (if not, use a free local voice).
</inputs>
<direction>
A Kurzgesagt-style animated explainer at 1920x1080, 30fps, drawn entirely in code: one 2D canvas plus one WebGL canvas for planets.
Space: a vertical gradient #081d2c to #102348, five huge parallax nebula blobs (teal rgb 24,150,160 at 20%, blue 40,95,195 at 16%, coral 220,95,110 at 10%, indigo 60,70,175 at 15%), three star layers at parallax depths .12/.35/.6 that twinkle, 40% of the near stars drawn as 4-point sparkles.
The Sun: radius 300px, half off the left edge. A radial gradient #fff7dc to #ffc857 to #ff8f4a with an offset highlight, additive halo rings at 1.23/1.48/1.76/2.1x the radius, 18 faint rotating ray wedges, 28 drifting glowing granules on its surface.
Earth: an orthographic sphere in a fragment shader, 4x supersampled, from a 2048x1024 map painted from longitude/latitude polygons: land #5fc47a, forest #48ad6b, desert #f5c75f, rainforest #3a9d62, ice #f1f8ff, ocean gradient #4dc7eb to #1a66b8, white capsule clouds. Tilt .26 rad, spin .55 degrees per second. Day/night uses smoothstep(-.12, .24, N·L) with the light direction recomputed from Sun to Earth every frame. Navy night side with ~380 warm city lights, a coral band on the terminator, a cyan rim, ocean specular, an atmosphere halo that is stronger on the lit side.
A small astronaut mascot (~180px) built from rounded rectangles: suit #f3f7fb, orange #ff8f4a boots, a visor gradient #1f5a73 to #0a1c2c with glowing cyan eyes that look at whatever matters, a blinking antenna light, an idle bob, squash and stretch on every pose.
Type: Fredoka 600/700 only. Captions in caps with 3-6px letter spacing in teal #8fd8e6, gold #ffd98a or white, sitting in rounded pills of rgb(6,20,40) at 62%. Every line of text rises 1.3x its own height through a clip on an ease-out-quint.
Finish: a vignette to rgba(4,4,20,.45) and a 6% film grain re-randomized 24 times per second.
Banned: outlines, flares or loops on the Sun's edge, static infographic strips, full stops in on-screen text, text that fades in whole, AI images or AI video, Kurzgesagt's own characters, bird or music.
</direction>
<structure>
30 seconds, every line of narration gets a camera move or a transformation, nothing ever holds still.
Tight on the Sun at 2.25x (0s) → on the word "vanished" it swells 6% for 0.22s, collapses in 0.33s, then a white flash and a shockwave ring (1s) → pull back to 1x revealing Earth still lit and the astronaut staring at the empty spot (1.6-3s) → on "eight" an 8:20 countdown slams in from 1.7x to 1x and starts ticking, a "LAST LIGHT" label rides the edge of the growing dark disc (3.2s) → dive to 2.3x on Earth with light streaks flowing in (5.6s) → on "you" a YOU pin drops (7s) → on "left" a photon lands on the pin with "THIS LIGHT LEFT THE SUN / 8 MIN 20 SEC AGO" (7.5s) → on "play" the pin morphs into a play button, "YOU PRESSED PLAY / 15 SEC AGO" (8.8s) → one pull-back from 2.4x to a 0.3x orbit view, "LAST LIGHT" and "GRAVITY" riding the ring (9.6-12.5s) → on "nothing" a dotted circle at the empty centre (13.4s) → on "hits" the darkness sweeps Earth in 0.7s, city lights pop on, the countdown turns gold at 0:00 (15.8s) → on "black" the background fades almost to black (17.4s) → Jupiter appears, "STILL SHINING FOR 1 HOUR+" (17.9s) → zoom out, a dashed tangent line, "30 KM/S" as Earth flies straight off (20.8s) → a thermometer counts 15 to -70°C while frost grows from the poles (22.8s) → a 0.8s rewind on a separate story clock (24.3s) → sunglasses drop onto the astronaut (25.2s) → a photon tagged "8:20 OLD", then the title (27.7s).
For any other topic, keep the same shape: the event happens on its word, pull back to show scale, dive in to make it personal ("you"), pull back out, the consequence with a live counter, an escalation, a funny beat with the mascot, a callback and the title.
</structure>
<build>
1. One HTML file. Every frame is a pure function of time: window.seek(t) draws frame t. No timers, no CSS animation.
2. Camera moves on easeInOutCubic, zoom is interpolated in log space, every pop is a damped spring (damping .42-.5, frequency 12-16).
3. Voice: ElevenLabs eleven_v4 with a designed voice (calm, warm, curious male, late 30s, crisp, light neutral European English), stability .5, similarity .75, generated with timestamps. Without a key, use kokoro-onnx locally and get word times with faster-whisper. Every animation event fires on its word. About 165 words per minute, 0.24s between sentences, a 0.36s beat before the big reveal.
4. The darkness front: any pixel within the front's radius from the Sun turns to night with a 30px soft edge. The front moves at ~47px/s and ramps to 700px/s near Earth.
5. Keep two clocks: ambient time for twinkle, spin and bob, and a separate story clock for events, so a rewind stays consistent.
6. Render with Playwright in headless Edge with the GPU: seek every frame at 30fps and blend 2 subframes (shutter 0.6) for motion blur, then encode with libx264 at CRF 16 for the master and CRF 20 for delivery.
7. Sound: a calm royalty-free space music bed 7dB under the voice, timed so its natural ending lands on the title, swelling 5dB under the title. One downloaded royalty-free sound effect per event kind (collapse, impact, pull-back whoosh, countdown tick, dive, pin tap, photon land, play click, light hit, reveal, frost, rewind), each peak-aligned to its frame and 4-10dB under the voice. Master with gain plus a limiter to -14 LUFS, -2.2dB true peak.
</build>
<gotchas>
Make the WebGL globe canvas at least 2 x radius x zoom x 1.18 pixels or the sphere clips flat in close-ups. Never draw prominences on the Sun's edge, they read as white hooks. Never pad the voice to fit the visuals, tighten the read instead. Speed the darkness front up near Earth or it takes 13 seconds to cross the planet. Show me a contact sheet of every beat before rendering.
</gotchas>
<start>
Ask me the inputs, write the narration with the beat each word triggers, show it to me, then build and render the video.
</start>
台灣實況主Ray
與發掘並培養他成為世界頂尖實況主的Kai重回日本
兩人除了回到當初第一次見面的7-11
意外被同一個店員重現店內請勿拍攝的名場面外
這次的實況也遇到了大量的想走同樣路線爆紅的實況主們
許多人闖入它們的實況試圖互動或表現瘋狂來吸引關注
同樣的路是不容易重複得道登天的
而且對我來說
太過用力的表演
與真實個性裡的綜藝效果還是有很大差別的
相信各位也能看的出來吧?
好像可以給擔心被無償搬運的
ASMR或付費影片者們參考看看
壞處:被當台獨失去中國市場
好處:不會被無斷轉載
原帖應該是
@MasterYiOrFeed 發的
但沒有單獨發在X這邊所以我用截圖的
【觀察筆記|AI再強也要有人買單|2026.10.16】
這陣子身邊不少人在用AI寫程式 剪片 做遊戲美術
效率高到讓人懷疑人生
甚至開始覺得 是自己的腦袋拖累了AI
但做過內容製作的都知道一件事
東西做出來 沒人看就是零
一支影片剪得再快 沒有人按下播放
它就只是硬碟裡的一個檔案
AI一天可以產出一萬張圖
可是會被那一萬張圖打動的 還是人
沒有人類這個消費載體
產出再多也只是在浪費電(或許還有Token)而已喔
所以不用急著覺得是自己限制了AI
現階段來說 是AI比較需要你這個人類軀殼
小知識:
當你有兩台或以上的電腦
並且有Claude訂閱
要跨電腦工作的時候
可以把每台電腦開啟Claude app使用同帳號登入
然後各自開啟一個remote control 的session
(claude rc)
並且將該對話取名為自己那台電腦的名字
就讓他們可以彼此對話與操控
你只要在任意一台電腦前
就可以看到所有人的狀況
並且幫它們按權限
遠端修電腦或部署設定方便很多
當AI已經在許多領域上展現出超人類的水準時
(語言、程式、圖像)
抄襲的成本也低到了一個不可思議的程度
當一個比Adobe效能高、全部功能對應
且不用付費訂閱的Adobe全家桶餐出現時
(有興趣的可以看看 getartcraft.com/apps )
很難想像未來的軟體開發者要用怎樣的技術壁壘
來保證自己的東西不被抄走
我剛剛是被ai按讚表示它已讀了嗎。。。?
@ChatGPT @thsottiaux
由於主機板與CPU突然死亡
過去兩周都是讓已經退休三年的老AMD出來頂著工作
明顯感受到他的力不從心與資源不足
今天把Amazon買的5900XT裝上
雙塔散的風扇也換成了貓頭鷹G2
記憶體裝上了128G的 DDR4 跑3200
突然感覺活了過來...(沒有誇張)












