I'm not for labels, so for now I'll settle for a warning sign: here be monsters

Joined January 2012
I love that there are going to be academic papers on this - this clip included.
“I don’t understand it. But I’m like, you know what, you freaks? Yo gung ho, you get it. If you can get fictional me pregnant, knock him up.” -Hudson on fan fictions stories of him being pregnant via tryquinn on Tiktok!
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Chiara Codecà retweeted
The success of RWRB has been pivotal in proving that joyful queer projects with happy endings ARE commercially viable. You don't have to like it, but actively shitting on it for a hit tweet is shortsighted and won't help the queer media you DO like in the way you think it will.
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Most underrated country in the world? I’ll start:
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I can’t explain it but Lord of the Rings (specifically Fellowship) is a Christmas movie.
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Chiara Codecà retweeted
masterclass in why the oxford comma matters from @nytimes
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Chiara Codecà retweeted
That teenagers now resist getting their licenses is wild to me. We were GONE. School, jobs, friends’ houses, shopping, stopping somewhere on the way home …no one was keeping tabs/tracking us.
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I'm a PhD student at @UniofOxford and I think I'm living in a fairytale :-) Foxes playing around in the snow at Magdalen College this morning — absolutely magical!
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Chiara Codecà retweeted
I'll tell you what goes on here. 🧵
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WELL DONE, PENGUIN! 👏
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"Words are events, they do things, change things. They transform both speaker and hearer; they feed energy back and forth and amplify it. They feed understanding or emotion back and forth and amplify it." Ursula K. Le Guin, born 95 years ago today, on the magic of real human communication: themarginalian.org/2015/10/2…
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“One of the functions of art is to give people the words to know their own experience… Storytelling is a tool for knowing who we are and what we want.” Ursula K. Le Guin, who would have been 95 today, on storytelling and the power of language to transform our experience themarginalian.org/2018/01/3…
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Chiara Codecà retweeted
On his 89th birthday, celebrate the wholesome beauty of Jerry Orbach and Angela Lansbury recording Be Our Guest.
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"Somewhere along the way, publishing has convinced itself that it doesn’t know how to market books for teens, particularly teen boys." Read more 👇 thebookseller.com/comment/ha…
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On the back of this thread, I got the opportunity to write about the desperate lack of books for teen boys in @thebookseller. Massive thanks to @mollyflatt for letting me write on an issue I'm hugely passionate about. Link: tinyurl.com/3mwnrczs
Pals, are we ready to have the 'there is nothing out there for teen boy readers' discussion yet? Because the more I hear 'I can't find anything I like' from them during my school visits, the more I grow convinced publishing has forgotten about the post-Middle Grade boys.
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133 years later, literary and pop-culture tourists unite at the @DickinsonMuseum. Ever since @Dickinson debuted on Apple TV+, fans have flocked to her home. @atlasobscura profiles the museum, its history and the poet's pop-culture moment. bit.ly/4dWsVho
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Chiara Codecà retweeted
“As I approach the end of my life, I have even less and less interest in examining what have got to be very superficial evaluations or opinions about the significance of one’s life or one’s work,” Leonard Cohen said, in 2016. nyer.cm/z2vqSUr
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Lots of purchases over the weekend. @questingvole book was a must. Very excited to dive in. I am SO SO excited and happy for @chrishaughton too - I am been chomping at the bit to read his History of Information. Congratulations both - a really excited and happy reader here
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The reason your brain associates them this way is because of the artwork of Alan Lee and John Howe for Tolkien’s writing. It’s easy to see why they chose these styles. They also worked on designs for the Jackson LOTR trilogy. Hence why we all just seem to “know” which is which.
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Chiara Codecà retweeted
The light rain really emphasising the autumn colour in the Cader Idris Nature Reserve,Snowdonia, a couple of weeks back.
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Chiara Codecà retweeted
This is these guys in a nutshell. It's a shot-for-shot remake of the original trailer... except it's not even a good copy. It's not just that there is not a single original idea in there, they aren't even aware that they have taken out all the substance. (A li'l thread.)
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