The "perfect human being" can only be born within works of art, much like all the entities and elements on a flat surface that attend a supreme purity—a purity that ultimately leads to rebirth.
-Fragment of the 5th movement of Berlioz's Symphonie Fantastique, 2024.
Imagination, illusion, and indeed all hallucinatory activity that accompanies human beings throughout their lives are manifestations of an unfinished world.
-Portrait of “Terra”, 2026. Acrylic on canvas.
From childhood, society imposes a mask upon the individual to be used as a façade presented to the world, concealing their true self behind a carefully constructed image. This is the beginning of the invention of traditions.
-Compo ( 22), 2026.
Despite scientific advances, we remain unable to resolve the ambiguities of social interaction: spontaneity and constraints, affection and dependence, prohibitions and freedoms—the spaces in between. Interaction with the other will forever remain the great mystery.
-Compo (19).
Humans have a lot of resources at their disposal for leading a peaceful life; they can consult scientists, doctors of all specialties, economists, physicists, historians, and so on. Yet, without a philosophy of life, all of this merely gives rise to profound doubt.
-Compo (16).
A mystical experience must be based on prior philosophical knowledge; otherwise, the individual will fall into the abyss of illusion and error.
-Compo (13). 2026.
Yayoi Kusama
1929-2026
The Japanese avant-garde-surrealist artist Yayoi Kusama has died at the age of 97. Yayoi Kusama, considered the "Queen of Polka Dots," cemented her place in the contemporary art world.
“There is nothing better than memories, and there is nothing worse than them.” Anton Chekhov
-Ambiance
Scientific progress, despite all its positive insights, is leading us into a zone of very confusing uncertainty, more so than any we have known before.
-Awaiting the unexpected, 2026. Acrylic on canvas.
A. Chehade retweeted
🇫🇷 Aujourd’hui, le Louvre souffle ses 233 bougies !
🎂 Le 10 août 1793, le musée du Louvre ouvrait ses portes au public sous le nom de Muséum central des Arts. Les visiteurs pouvaient y admirer des œuvres issues des anciennes collections royales.
Merci d’être toujours présents pour vous émerveiller des chefs-d’œuvre du musée.
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🌍 Today, le Louvre celebrates its 233rd birthday
🎉 On August 10, 1793, the Louvre opened its doors to the public as the Central Museum of Art. Visitors could admire artworks mainly from the former royal collections. T
Thank you for always being there to marvel at the museum’s masterpieces.
Throughout its history, art has sustained a dialogue with spirituality; one need only step into any spiritual space to see that the relationship between the two is anchored, mysteriously and hermetically.
-Lady of the fig and the olive, 2021. Acrylic on canvas.
Human discourse is based on compatibility, not on the conformity of the discourse to the world around it.
-Dandyism2017. Mixed media on canvas.
In critical thinking, one must first establish a reference point that ensures impartiality; this dissolves the hopes, fears, promises, and threats of those with a stake in the outcome.
-A moment of abandonment, 2002. Oil on canvas—81X61 cm.
There is a theory holding that a work of art exists solely through its role in shaping the consciousness of the viewer—a process that influences the work itself and imbues it with a paradigmatic character. This stands in contradiction to the notion of creation.
-Selfie (5). 2024.
There is necessarily a truth, and those who arrive at this truth through intuition are the ones worthy of living it.
-Morphologization of a paper bust, 2023. Acrylic on technical paper.
I admit that, at my age, I fear the person who justifies their assertions according to their own personal standards.
-The Artist's House. 2008. Acrylic on canvas.
Belief needs no justification, since it belongs to a realm that requires no definition. It is enough for us to simply be here, in this world, already immersed in its materialistic substance with all these definitions.
-Last Testaments, 2001. Oil on canvas

























