NEMO ME IMPVNE LACESSIT / Mi MEMORIA es IMPLACABLE / Mi Archivo es INMISERICORDE.
Joined March 2011
- Tweets113K
- Following2.2K
- Followers4.1K
- Likes39.3K
Carson Marsh retweeted
Given that Murder, She Wrote was created by Columbo writers Peter S. Fischer, Richard Levinson and William Link, it is no surprise that so many actors turn up in both shows. Just one more thing...a Columbo/Jessica Fletcher crossover would have been fun.
Carson Marsh retweeted
David McCallum, Robert Vaughn and Leo G. Carroll in a promotional still for the television series The Man from U.N.C.L.E., 1964
ALT Actors David McCallum, Robert Vaughn and Leo G. Carroll — all in costume, McCallum dressed in a light-coloured suit jacket, black trousers and dark-coloured tie, Vaughn in a dark check pattern suit and black tie, Carroll in a dark tweed jacket and trousers — captured together, McCallum and Vaughn facing the camera while seated, McCallum holding a pistol, Vaughn holding a cigarette case communicator, Carroll standing in profile beside them, his hands on Vaughn's shoulder as he looks toward the camera, a large Air France poster behind them, in a medium-length black-and-white shot for the television series The Man from U.N.C.L.E.
Carson Marsh retweeted
In Ben-Hur, there is a moment of extraordinary simplicity and grace. Judah Ben-Hur (Charlton Heston), exhausted and broken in the desert, is silently offered water by Jesus. We never see Christ’s face; only his figure and presence are revealed.
Not a word is spoken, yet Judah’s expression moves almost imperceptibly from despair to hope. William Wyler’s masterful cinematography gives the encounter an unmistakable sense of the sacred, suggesting that something far greater than an act of human kindness has taken place.
It is a brief gesture, a cup of water offered to a suffering man, yet it becomes the seed of Judah’s long journey towards mercy, reconciliation and forgiveness. In its restraint, silence and humanity, it remains one of the most moving scenes in the history of cinema.
Carson Marsh retweeted
The late, great, Eva Marie Saint and Angela Lansbury co-starred in John Frankenheimer's All Fall Down (1962), opposite Warren Beatty & Karl Malden.
Saint later credited Dame Angela with inspiring her to refuse poorly written, neurotic, or diminished roles as an older actress.
Carson Marsh retweeted
Oscar-winning actress Eva Marie Saint, who starred in ‘On the Waterfront’ and ‘North by Northwest,’ dead at 102 trib.al/ennI74r
Carson Marsh retweeted
📺On September 24, 1977, ‘The Bionic Woman’ aired ‘Fembots in Las Vegas.’ The son of a renegade scientist plots his revenge by reactivating Jaime Sommers’ greatest enemies… the Fembots!
Carson Marsh retweeted
September 22, 1964: "Man from U.N.C.L.E." premieres starring Robert Vaughn and David McCallum on NBC: open channel D.
Carson Marsh retweeted
📺DEBUT: Hanna-Barbera’s ‘Jonny Quest’ premiered 62 years ago, September 18, 1964, on ABC
Carson Marsh retweeted
📺DEBUT: The series 'Mission: Impossible' premiered 60 years ago, September 17, 1966, on CBS
Carson Marsh retweeted
Errol Flynn and Olivia de Havilland starred in They Died With Their Boots On (1941)
Carson Marsh retweeted
The Avengers series reunion London 1995
Patrick Macnee Diana Rigg
Linda Thorson Honor Blackman
Carson Marsh retweeted
En torno a Hipólito Yrigoyen se desarrolló, especialmente entre sus seguidores más fervientes, un lenguaje político de fuerte tono mesiánico y religioso, que fue mucho más allá de la admiración habitual hacia un dirigente partidario.
El yrigoyenismo tendió a presentar a su jefe como la encarnación de una causa moral superior, destinada a regenerar la vida pública argentina, mientras que el radicalismo aparecía como una suerte de cruzada, apostolado o movimiento de redención nacional.
En enero de 1921, durante la controversia por la participación argentina en la Sociedad de las Naciones, Marcelo T. de Alvear (embajador argentino en Francia) expresó a Hipólito Yrigoyen una adhesión personal particularmente enfática. En un telegrama dirigido al presidente escribió: "Maestro, creo en ti... tus razones son profundas y para nosotros intangibles... porque tú vives la visión de la obra futura, donde no somos, en el crisol de la historia que hierve, más que metales en fusión, carbono y escoria... Cualquiera sea el camino, ciertamente te seguiremos... Maestro, creo en ti..."
Alvear años después reprocharía al yrigoyenismo precisamente una veneración política de rasgos casi mesiánicos hacia Yrigoyen, pero él mismo había participado de esa cultura política durante el primer gobierno radical. No era originalmente un adversario del liderazgo personal de Yrigoyen ya que desde la división interna con Alem hacia 1893-1894, fue uno de sus hombres de confianza, recibió de él responsabilidades diplomáticas importantes y llegó a expresarse en términos que, vistos desde la década de 1930, él mismo probablemente habría considerado excesivamente reverenciales.
