@CarloDesign1
Account based inSpain
About this account
- Account based in
- Spain
- Connected via
- Spain Android App
Account-level information from X, not a live location or the device used for a specific post.
Joined May 2020
- Tweets52.6K
- Following353
- Followers1.2K
- Likes54.9K
Carlo Design retweeted
"Memorias de un Tambor" ha sido premiado por la Comunidad de Madrid, de manos de una fiel oyente del podcast: Isabel Díaz Ayuso.
Gracias, presidenta, por tu cercanía y tu cariño. Este premio es de todos.
@ComunidadMadrid @IdiazAyuso
Carlo Design retweeted
Recuerda que, si eres docente, puedes registrarte para acceder gratis a xn--undiaenlahistoriadeespaa… y utilizar las efemérides con tus alumnos.
@CanaldeHistoria en el aula.
Carlo Design retweeted
Polémica por la opinión de Lucía Etxebarría sobre el desahucio de Maricarmen
@LaEtxebarria
@AntonioRNaranjo
✖️@telemadrid
🔊 telemadrid.es/emision-en-dir…
Carlo Design retweeted
Es como el chiste del concejal de Cuenca youtu.be/vNgo5IWDg0Q?si=WlZN…
Carlo Design retweeted
Siempre defendí esa época en en la que Mike Oldfield hizo algo más que repetir el formato del millonario “Tubullar Bells”… por eso creo que esta canción es una pequeña joya igual que lo son temas como “Family Man”, “To France” o la épica “Islands” con la voz de Bonnie Tyler.
“Moonlight Shadow”was released by Mike Oldfield in 1983 as the lead single from his album Crises. Featuring the ethereal vocals of Maggie Reilly, the song became the biggest solo hit of Oldfield's career, reaching #1 in several European countries, including Germany, Italy, Austria, Switzerland, Norway, and Spain, and #4 on the UK Singles Chart.
Although many listeners have interpreted the lyrics as being inspired by the 1980 murder of John Lennon, Mike Oldfield has never confirmed this, and the song's true meaning remains open to interpretation. Maggie Reilly's haunting vocal performance became one of the track's defining features, helping turn it into one of the most beloved pop songs of the 1980s.
Carlo Design retweeted
La península en 711 no era un páramo de cabreros. Era un reino unificado con capital en Toledo, ciudades como Recópolis (fundada de cero por Leovigildo en 578 con palacio, basílica, talleres y murallas), Mérida, Sevilla y Zaragoza funcionando, derecho escrito (Liber Iudiciorum), moneda propia y la mayor enciclopedia de Occidente escrita por Isidoro de Sevilla.Lo que llegó en 711 no fue una civilización superior aterrizando sobre salvajes. Fue una conquista militar aprovechando una guerra civil visigoda. El urbanismo, el regadío y buena parte del saber que después floreció en Al-Ándalus se construyeron sobre lo que ya existía.Reducir 300 años de Hispania visigoda a “no había nada comparable” no es historia. Es propaganda.
Carlo Design retweeted
“A Little Respect” is from Erasure’s 1988 album The Innocents. Written by Vince Clarke and Andy Bell, the synth-pop classic became one of the duo's signature songs, reaching #4 on the UK Singles Chart and becoming their second Top 20 hit on the Billboard Hot 100, where it peaked at #14. Its infectious melody, emotional lyrics and instantly recognizable chorus helped establish The Innocents as Erasure's commercial breakthrough.
The track's soaring vocal performance, combined with Vince Clarke's sophisticated electronic production, created one of the defining songs of late-1980s synth-pop. Decades later the song experienced a renewed surge in popularity after the cast of the hit TV series Scrubs performed an impromptu singalong in a memorable 2002 episode, introducing “A Little Respect” to a new generation of listeners and reinforcing its place as one of Erasure's most enduring songs.