Cameron Kehler

I believe the Shroud of Turin was forged by a medieval artist. I believe he chose a very expensive linen cloth to wow only the very few who would notice, matched the Gospel accounts in extraordinary detail, rejected the artistic conventions of his own time in many ways for the only known time in history, depicted crucifixion with striking anatomical realism, used real blood or blood-derived material instead of simply painting the wounds, created an unremarkable faint image whose most remarkable property would not be recognized until photography revealed it as a negative more than five centuries later, embedded three-dimensional image information that would only be discovered with modern image analysis, produced an image so superficial that modern microscopy still can’t explain it, anticipated details that align perfeclty with modern forensic understanding of crucifixion, executed the entire work without mistakes or corrections on a valuable cloth, he nailed it without error in one shot, invented a technique that no one has convincingly reproduced, left no record of how he did it, inspired no known followers, and did it to wow only us centuries later as nobody viewing the work at the time would even see it for what it is, and then disappeared from history without anyone ever mentioning the greatest technical achievement of medieval art.