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Cate Blanchett has voiced her support for the reopening of the Metropolis Cinema in Beirut, Lebanon, on Saturday. hollywoodreporter.com/movies…
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"[Jocelyne] Saab’s films serve as timely reminders that neocolonial aggression has never been a defensive maneuver... Saab lived through the wars she documented, and her lyrical missives are marked both by fearlessness and vulnerability." | @CLF_Project:
mubi.com/en/notebook/posts/l…
"'At the time,' Woodberry recalls, 'we felt that the image of the Black working-class leftists tended to project was very different from the reality we knew.'" Billy Woodberry in conversation with Giovanni Vimercati. lareviewofbooks.org/article/…
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35 anni di Fuori Orario, passione indocile della notte
Da stasera su Rai3 per l’anniversario della trasmissione. Imperdibile «La nott' e 'l giorno» di Gianni Castagnoli, compagno di Patrizia Vicinelli, dichiarato un capolavoro e poi scomparso
ilmanifesto.it/35-anni-di-fu…
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A 70-year-long story between disruptive milestones such as the Miura and the Stratos: dive into an Italian car design myth sinking its roots in early 20th century Turin. domusweb.it/en/design/galler…
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Celluloid Liberation Front (@CLF_Project) write on Heiny Srour’s newly-restored 1984 film LEILA AND THE WOLVES, "a film of monumental resolve and ambition, determined to address the contradictions within the anti-colonial struggle." mubi.com/en/notebook/posts/r…
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"Flamboyant and anti-clerical, modernistic and anti-colonial, folkloristic and experimental, his films resist categorization and bear testament to the possibilities of the medium..."
@CLF_Project consider the films and career of Med Hondo. mubi.com/en/notebook/posts/m…
Very sad in more ways than one. At a time when the distinction between criticism and publicity got increasingly blurrier, CS and MP kept on practicing the noble art of taking sides.
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The Hour of Liberation Has Arrived by Heiny Srour, screening at Mizna Film Series.
2/28 at 7pm @TrylonCinema
TICKETS : bit.ly/miznafilmseries
The film archives a forgotten moment in history, when a feminist, guerrilla movement in Dhofar rose up against the Sultanate of Oman.
Marco Ferreri's L'UDIENZA (1972), the story of a man's (un)successful attempt to meet the @Pontifex, is loosely based on Kafka's THE CASTLE.
On Solid Groundless: our tribute to the late Otar Iosseliani mubi.com/en/notebook/posts/t…
Your hospitable and stateless cinema, your destitute aristocracy have metaphysically ennobled this world. It will be a lonelier place without you, Otar Iosselliani (1934-2023).
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We thank everyone for their continued support and look forward to seeing more of you on board. Please subscribe to the print edition at cinema-scope.com/subscriptio…!!
With 20 new subscribers, we will release the Cinema Scope Top 10 of 2022 online next week...
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Iconic Napalm Rights Advocate Dead At 100 bit.ly/3uwPyYI






















