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CLEMT

@CLEMT_bham

Centre for Literary Editing and the Materiality of the Text @unibirmingham

 Birmingham, England
birmingham.ac.uk/schools/edacs/departments/english/research/centres/clemt/index.aspx
Joined November 2016
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Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)Photo by CLEMT (@CLEMT_bham)
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BAVS Funding Grants – forthcoming deadline (31 May 2021) victorianist.wordpress.com/2…
BAVS Funding Grants – forthcoming deadline

BAVS Funding Grants – forthcoming deadline

Just a reminder that the deadline for the next round of BAVS funding applications is 31 May 2021. Full details can be found on the BAVS website at 

victorianist.wordpress.com
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A fascinsting seminar series coming up in June on threats to archives and records. Sign up!
The Shock of the Record: Archives and Truth (@ShockOfRecord) profile pictureThe Shock of the Record: Archives and Truth@ShockOfRecord3 May 2021
Book your free place now on our next webinar, 'Who creates the record and why? Evidence under attack' with @Andyucl @MillarLaura @archivista13 Jo Fox and @richove 17 June 2021, 17.30 GMT history.ac.uk/events/who-cre… @BritRecs @ihr_history #Archives #ExploreYourArchive #Webinar
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I wonder what John Milton thought about Shakespeare? Here are two people to tell us - on Wednesday 12 May at 5.00pm. Come & join us (free, but sign up below). @BSAShakespeare @E2EShakespeare @ShakesInstitute @roaringgirle @jes1003 @FolgerLibrary shakespeare.org.uk/visit/wha…
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The revolutionary images speak a universal language that can be understood by literate and illiterate alike. Yet, in London, the same images were met with disapproval.
Image from CLEMT (@CLEMT_bham)
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Synchronisation is treated with fascination in the Illustrated London News and L’Illustration.
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@BAVS_PGs @BAVS_UK @bavs_2021
Revolutionary philosopher, economist, and political theorist Karl Marx was born on this day in 1818. This copy of the Manifesto of the Communist Party, published in London in 1935, belonged to sculptor and typeface designer Eric Gill and has his inscription on the flyleaf.
Image from Clark Library (@ClarkLibUCLA)
Image from Clark Library (@ClarkLibUCLA)
Image from Clark Library (@ClarkLibUCLA)
Image from Clark Library (@ClarkLibUCLA)
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This is part of a 3 volume series - last year saw the publication of Serial Forms: The Unfinished Project of Modernity, 1815-1848 - with @OUPAcademic
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In the 1840’s, other, international “Illustrated News” are strikingly similar in terms (they even sometimes share the same readers’ puzzles). There was an active exchange of literal “clichés” between these different papers.
Image from CLEMT (@CLEMT_bham)
Image from CLEMT (@CLEMT_bham)
Image from CLEMT (@CLEMT_bham)
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One example of this exchange of “clichés”: Gavarni’s illustration of Insurgent Prisoners in Paris used on the front pages of both Illustrated London News and the L’Illistration. Non-revolutionary London producing the images for revolutionary Paris at London’s printing presses
Image from CLEMT (@CLEMT_bham)
Image from CLEMT (@CLEMT_bham)
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