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BladeoftheSun@BladeoftheSFeb 24
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United StatesConnected via WebAccount-level information, not a live location or per-post device.
In the USA in 1943 they produced a film 'Don't be a Sucker' about fascism.
It perfectly explains Nigel Farage, Donald Trump, Elon Musk and the entire Right.
Boxing Over Broadway retweeted
What sort of pets have you subjected yourself to? Dogs? Cats? Parrots? Allow me to present the many splendid virtues of fish… 🐠
Boxing Over Broadway retweeted
Take a moment to look at the inhumanity captured in this extraordinary photo running on the front page of tonight's Minneapolis @StarTribune. It shows federal immigration agents immobilizing a protester on the ground and spraying chemical irritant directly into his face. The scene reminds me of the brutality used against civil rights protesters in the 1960s. We look back at those old photos and wonder how the authorities could have behaved so savagely; many years from now, young Americans will look at these photos from 2026 and wonder how anyone could have justified shooting a woman in the head as she tried to drive away, arresting 5-year-old schoolchildren on the street, or holding a man down and spaying chemicals into his face. Thanks to the Star Tribune reporters and photographers for documenting this work; they create accountability, they make democracy work, and they make all of us in journalism proud.
Boxing Over Broadway retweeted
No longer do we see the standard of playwriting provided by Shakespeare, nor do we see a level of acting such as Laurence Olivier's performance of "Now is the winter of our discontent''
(famous opening line from Shakespeare's play, Richard III, spoken by the villainous Duke of Gloucester and (later) Richard III). Actors today rarely have the vocabulary, let alone the ability to perform entire scenes so seamlessly. Compare this one scene to the modern entertainment industry, and you'd have to be blind to think that we've moved forward instead of backwards. 🎭⏳️
Boxing Over Broadway retweeted
Terry Teachout died four years ago today.
commentary.org/john-podhoret…
Boxing Over Broadway retweeted
Songs from the Summer of 1972
with Casey Kasem 📀 🎶 🏖️ 🌊
I was there and I remember the songs.
See how many you remember too…
Boxing Over Broadway retweeted
My conversation on Morning Joe about the ICE-involved shooting in Minneapolis.
Boxing Over Broadway retweeted
Start your day with some Shakespeare. This is Laurence Olivier reciting Sonnet 116 on The Dick Cavett show in 1973. Absolutely beautiful.
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Watching this brought back memories of my childhood in Minnesota. My family had three successive dogs named Snoopy inspired by the Minnesota-born cartoonist Charles Schulz. Funny enough, none were beagles. The first was a Cockapoo found on a highway by my mom but at least it had some spots hence inspiring my brother to name her (!) Snoopy. She would grace our home for 14 amazing years to be followed by a Lhasa Apso-Poodle and Bichon Frise, who were also incredible dogs living up to the Snoopy name. I miss them all.
Boxing Over Broadway retweeted
My daughter and I were shopping on a shopping trip and I told her about @BenSasse and pulled up clips from him at SCOTUS hearings, for those who would like to get a sense of his, demeanor, grace, and wide-eyed aspirations for Washington.
Boxing Over Broadway retweeted
Please "like" and/or share if you've read my memoir about my friendship with William F. Buckley, Jr.! It's holiday gift time! If you're looking for something special to read or give to a friend, consider my book, "American Impresario: William F. Buckley, Jr. and the Elements of American Character."
The Wall Street Journal's Barton Swaim called it a "sweet and guileless memoir of "Perelman's" 14-year friendship with Buckley."
Link to Amazon special price in comments.
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🤯 𝐇𝐎𝐋𝐘 𝐒𝐇*𝐓!!! Looking back at a documentary. Never noticed before, but this is 𝐉𝐎𝐄 𝐅𝐑𝐀𝐙𝐈𝐄𝐑 knocking 𝐃𝐎𝐔𝐆 𝐉𝐎𝐍𝐄𝐒 clean out with one of the best left hooks he ever threw. Frazier vs. Jones (1967) wasn't televised (this is 16mm). WOW! #boxing 🇺🇸🥊🇺🇸
Boxing Over Broadway retweeted
Here’s some great footage of Ken Buchanan and Roberto Duran training a week before their epic Lightweight title fight in 1972. Featuring interviews with their HOF trainers, Gil Clancy and Freddie Brown
#Boxing
Boxing Over Broadway retweeted
Happy pub day to Mike Silver, unmatched mensch and boxing history OG! WHEN IN DOUBT, STOP THE BOUT: A REVOLUTIONARY APPROACH TO BOXING SAFETY AND REFORM is now available wherever books are sold!
📕🥊💎
ORDER ⬇️⬇️
amazon.com/When-Doubt-Stop-B…
Boxing Over Broadway retweeted
Maybe not news but -- the USPS will release the William F. Buckley Jr. stamp on September 9 in a New Haven "first issue" ceremony.
CC: @NRO @charlescwcooke @jackfowler @jimgeraghty
Boxing Over Broadway retweeted
This evening, 56 years after the Apollo 11 moon landing, I spoke with the astronaut Buzz Aldrin. Together we shared the memory of a historic feat, a testimony to human ingenuity, and we reflected on the mystery and greatness of Creation.
Boxing Over Broadway retweeted
How serious was William F. Buckley, Jr. as a pianist? So serious that he developed a new notation system (!) and wrote a book on playing the instrument: "Getting back to the piano, of course you can play!" Do you know of other political thinkers or figures who are this passionate about their avocations? Let's emulate Bill's virtues! He once told me, "Politics is my vocation, not my avocation."
Learn more about this side of WFB in my book, "American Impresario: William F. Buckley, Jr. and the Elements of American Character."
Boxing Over Broadway retweeted
My friend and mentor William F. Buckley, Jr. once told me that "Politics is my vocation, not my avocation." Nearly all of the coverage of Sam Tanenhaus's biography has focused on Bill's vocation. It's ironic since Bill intrigued the general population for so much more than just politics. During his lifetime he was often referred to as a Renaissance Man.
Bill was a pianist/harpsichordist, sailor, painter, spy novelist, a true man of Faith, and a Friend to countless people of all stripes. He was also one of the great letter writers of the 20th century and that's how I met him; I wrote him at the age of 18, and he wrote back!
Read more about the real Bill Buckley in my memoir, William F. Buckley, Jr. and the Elements of American Character. – at Manhattan, NY
Boxing Over Broadway retweeted
In our competitive society, where it seems that only the strong and winners deserve to live, sport also teaches us how to lose. It forces us, in learning the art of losing, to confront our fragility, our limitations and our imperfections. It is through the experience of these limits that we open our hearts to hope. Athletes who never make mistakes, who never lose, do not exist.
Boxing Over Broadway retweeted
After the Baer-Schmeling fight held #OTD in 1933, David Egan of The Boston Globe wrote that, “cruelty is Baer’s stock in trade.” He observed that the world "loves a killer. And it has found one who would put Al Capone, the famous government guest to shame…. It has been our luck never to have seen a fighter killed in action. I was afraid for a few seconds tonight, that I was to see one. And that, more than paragraphs and columns of words, describes the terrific beating which Schmeling took in 1 minute 51 seconds of a round which will go down through the corridors of boxing time for its sheer brutality."
Mere months before the Schmeling fight, Adolph Hitler had become Chancellor of Germany. His Third Reich had assumed control of the country. Jews already were under the burden of laws and decrees that restricted all aspects of their public and private lives. Ticket sales for the “Battle of the Maxes” were concerningly lackluster. A large portion of New York's boxing fans were Jewish. There were calls for a boycott because Schmeling was German and therefore must be a Nazi.
From his publicity headquarters at the Ritz Hotel, the fight’s promoter Jack Dempsey and Schmeling’s co-manager Bill McCarney dreamed up a wicked idea. “Baer was made into a Jew overnight,” Bill later chuckled in 1938 to a Canadian reporter. He figured Jews would “delight in seeing a Nazi walloped by one of their own.” Numerous Wehrmacht officers personally approved to serve under Hitler possessed more Jewish blood than Max Baer, but he was suddenly seen wearing the six-pointed Jewish Star of David on his trunks. He was encouraged to toss around a few hundred “schmucks” and “oi veys.” Ticket sales to the fight exploded almost overnight.
While Schmeling had a Jewish manager and Holocaust survivors Werner and Henry Lewin confirmed he hid them in his hotel room during Kristallnacht, Baer happily joined in to label Schmeling a Nazi. His vitriol shocked columnist David J. Walsh when in April 1933, Max roared over the phone, “I’ve never wanted to hurt a man. But that’s off in this fight.... I'm going to hurt him. I'm going to keep on hurting him.” Simply because Schmeling was German, Baer said he’d have to suffer what he “would like to give personally to some of those leaders persecuting Jews.”
He was merciless in the ring. Visions of Frankie Campbell did not haunt him. As he threw each brutal round-house right, he snarled in Schmeling’s face, “this one’s for Hitler.” No punches were pulled. Fouls were abundant. Tennis matches had fewer vicious backhands. Holding, rabbit punches, headlocks, forearms to the face, low blows, shoves into the ropes, all got a touch to his forelock, or a bow of insincere contrition to referee Arthur Donovan’s warnings. He lost four rounds on fouls and was behind on points going into the tenth.
After a knockdown in that round, Baer swarmed Schmeling into the ropes where he cringed, utterly dazed and helpless. Schmeling turned away as he grasped the ropes. Baer then used one of his favorite tactics; he slugged Schmeling on the back of the neck. As Baer drew back to inflict further punishment, fearful for his life, Donovan threw his arms around Schmeling to end the fight. If Arthur Donovan had not acted at that moment, Max Baer appeared perfectly willing to add another death to his belt. Schmeling’s manager realized one more punch might have killed his fighter. His face was observed to be “white and horrified” as he led his fighter from the ring, while spectators spat at Max Schmeling and called him a Nazi.
"Then the World Moved On: The Brutal Truth Behind the Max Baer-Frankie Campbell Fight" - a.co/d/gq4Zad1
























