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Prompt: SEEDANCE 2.5 — FINAL MASTER PROMPT SCENE CONTEXT In Glimmer Reef, Tuck — a small stylized hermit crab who has outgrown his old shell — searches the spilled cargo of a sunken rowboat for a new home. He tries three human objects as shells. Every try fails in a different way. TOO BIG. TOO HEAVY. SEE-THROUGH. Defeated, he loses hope. Then a glint leads him to a beautiful pearl shell, hidden at the back of the reef behind the sunken boat. It is EXACTLY his size. He backs into its opening TAIL-FIRST, WEARS it on his back, walks happily past the empty glass jar that once embarrassed him, and celebrates: "Perfect fit!" 34 seconds total. 16:9 widescreen. Bright animated-feature underwater daylight. Fast comedy timing. Large readable expressions. Strong physical weight. Tender emotional final beat. ================================================== ACTIVE REFERENCES ================================================== [ @tuck ] CHARACTER SHEET — LOADED SECOND. STRICTLY MATCH THE TUCK CHARACTER SHEET. Tuck is a young adult stylized 3D animated hermit crab, approximately 8 cm tall. CHARACTER COLOR LOCK: • bright coral-red / tomato-red glossy body plating • deep red claws • one slightly bigger right claw • soft cream / peach belly • soft cream / peach curly tail • orange-red walking legs with dark maroon tips • two big round eyes on tall eye-stalks • large white sclera • bright teal irises • dark pupils • strong animated-film eye catchlights • dark maroon brow bumps • flexible expressive mouth PERSONALITY: Dramatic. Picky. Hopeful. Fashion-conscious. Lovable. Easily embarrassed. 100% MATCH THE REFERENCE. NO character redesign. NO morphing. NO proportion drift. NO color drift. NO realistic crab. NO scary crab. NO extra limbs. [ @reef ] LOCATION SHEET — LOADED FIRST. STRICTLY MATCH THE GLIMMER REEF ART DIRECTION. Glimmer Reef is a shallow, sunlit lagoon reef in a polished Disney-inspired animated-feature environment style. GEOGRAPHY: • bright white sandy reef floor • one small wooden rowboat sunk on its side • THE JUNK PILE — spilled cargo beside the boat • THE SAND SLOPE — gentle sandy hill ending at a plump orange sea cucumber • THE HIDDEN SPOT — behind the sunken boat, kelp curtains, one thin sun shaft • pink, orange and purple coral heads • swaying green kelp and one kelp arch • anemone clusters • small schools of colorful fish • deep blue drop-off in the distance • shimmering water surface above • sun rays streaming down • dancing caustic light on sand and objects ENVIRONMENT STYLE: Whimsical premium animated-feature environment. Rounded appealing coral shapes. Saturated turquoise water. Warm white sand. Soft atmospheric blue depth. Glowing sun shafts. Beautiful painterly color separation. Do NOT make the location look like live-action photography. Do NOT turn it into documentary realism. STYLE REFERENCE ONLY. Extend the environment naturally. ================================================== LOCATION MAP ================================================== FOREGROUND: White rippled sand. Tiny pebbles. Small broken shell fragments. Sea grass tufts. Small coral pieces. MIDGROUND: THE JUNK PILE beside the sunken rowboat: 1. PORCELAIN TEACUP — lying on its side 2. OLD TIN CAN — lying on its side, open end facing out 3. CLEAR GLASS JAR — LYING ON ITS SIDE, open mouth facing out, flat on the sand THE SAND SLOPE to one side, with the sea cucumber at the bottom. BACKGROUND: THE HIDDEN SPOT behind the sunken boat. Kelp curtains. One thin sun shaft. Coral walls. Fish schools. Deep blue distance. WATER HAZE: Approximately 15% near Tuck, increasing toward approximately 40% in the far distance. CAMERA WORLD RULE: Miniature macro-scale world. Camera usually operates at crab-eye height, a few centimeters above the sand. The audience must always feel how TINY Tuck is next to the objects. Use the full 16:9 width to show the reef around him. ================================================== SCALE LOCK — CRITICAL ================================================== Tuck: approximately 8 cm tall. OLD CRACKED SHELL: clearly too small — barely covers his tail. PORCELAIN TEACUP: approximately twice Tuck's size. TIN CAN: approximately the same size as Tuck, visibly heavy. GLASS JAR: snug, perfect size for Tuck. PEARL SHELL: approximately the size of Tuck's BODY. Slightly larger than the old cracked shell. Much smaller than the teacup. NEVER bigger than Tuck. NEVER a giant backdrop behind him. When worn, it covers only his tail and back half. His head, eye-stalks, claws and front walking legs stay OUTSIDE the opening. SEA CUCUMBER: approximately three times Tuck's length. PEARL SHELL SIZE NEVER CHANGES between shots. ================================================== SHELL OPTIONS DESIGN — CRITICAL ================================================== Every shell option is a HOLLOW object with a visible open end. Tuck always backs in TAIL-FIRST, like a real hermit crab. OLD CRACKED SHELL: • small tan spiral shell • big visible crack • too small PORCELAIN TEACUP: • white porcelain • blue floral pattern • thin gold rim • chipped edge TIN CAN: • old metal can • slightly rusty • faded red and green label • open at one end GLASS JAR: • small clear glass jar • LYING ON ITS SIDE on the sand the whole time • open mouth facing sideways toward Tuck, no lid • fully transparent • Tuck's body clearly visible through the glass • NEVER standing upright PEARL SHELL — THE HERO: • elegant spiral turban shell • Tuck-sized — the size of his body • smooth glossy mother-of-pearl surface • iridescent rainbow sheen: soft pink, lavender, aqua, gold • bright specular highlights • tiny sparkle glints • resting loosely on top of the sand • its big round OPENING with a smooth flared lip faces the CAMERA • the dark hollow inside the opening is clearly visible • the spiral side is solid — nothing enters the spiral side The most beautiful object in the whole video. MATCH THE PEARL SHELL COLORS ON THE LOCATION SHEET. ================================================== SHELL ENTRY / EXIT MECHANICS — CRITICAL ================================================== NO TELEPORTING. NO position jumps. NO cuts during an entry or an exit. Every time Tuck goes INTO or OUT OF an object, it is shown as ONE continuous on-screen action. ENTERING (every shell): 1. Tuck walks up to the opening. 2. He turns around so his tail faces the opening. 3. He backs in step by step, TAIL-FIRST. 4. His curly tail disappears into the opening first. 5. Then his back half slides in. 6. His legs grip the rim as he settles. 7. His head, claws and eye-stalks stay at the opening, looking out. EXITING (every shell): 1. Tuck pulls himself forward with his front legs and claws. 2. His body slides out through the SAME opening. 3. His curly tail slips out last. 4. The object stays exactly where it was. PEARL SHELL ENTRY: Camera faces the shell's opening. Tuck stands IN FRONT of the opening, FACING THE CAMERA. He walks BACKWARD into it — tail first — keeping his face toward the camera. The lip of the opening frames his body as he sinks in. Head and claws NEVER go into the opening. WEARING (pearl shell only): The shell sits ON HIS BACK. His tail is coiled inside the spiral. When he stands up, the shell LIFTS OFF THE SAND with him. When he walks, the shell RIDES ON HIS BACK and moves with every step. He is NOT sitting in front of the shell. He is NOT standing next to the shell. He is INSIDE it, carrying it. ================================================== PROP CONTINUITY ================================================== Objects NEVER reset. Objects NEVER disappear. Every object stays where Tuck left it. AFTER TRY 1: Teacup remains tipped over on the sand. AFTER TRY 2: Tin can remains at the bottom of the sand slope, against the sea cucumber. AFTER TRY 3: Glass jar remains lying on its side on the sand beside Tuck. TUCK CONTINUITY: Tuck gets progressively messier. START: clean, glossy, no sand. AFTER TRY 1: light dusting of sand on his back. AFTER TRY 2: more sand, one small strand of green seaweed draped over one eye-stalk. AFTER TRY 3: seaweed strand still there until the final reveal. FINAL: Tuck shakes the seaweed off as he scuttles to the pearl shell. ================================================== FIRST FRAME / BLOCKING ================================================== NON-EMPTY OPENING FRAME. 16:9 WIDESCREEN FRAME. Tuck is ALREADY SQUEEZING OUT of his tiny cracked old shell. Place Tuck in the lower-left third. Low macro angle at sand level. Legs pushing. Eye-stalks straining. Cheeks puffed. The old shell is clearly far too small. The junk pile and sunken rowboat visible in the right two-thirds of frame. Teacup, tin can and glass jar readable in the pile — all lying on their sides. Sun rays streaming down. Caustics dancing on the sand. RULE OF THIRDS: Tuck = left. Junk pile = right. Nothing frozen. ================================================== FORMAT MODE ================================================== ASPECT RATIO: 16:9 LANDSCAPE. TIMED MULTISHOT. EXACTLY FIVE HARD CUTS. CUT 1: 0:06.0 CUT 2: 0:12.0 CUT 3: 0:18.0 CUT 4: 0:23.0 CUT 5: 0:25.5 NO OTHER CUTS. ================================================== OPTICS ================================================== SHOT 1 — OLD SHELL + TEACUP 0:00–0:06.0 Start: 70° FOV. Ease toward: 50° FOV during the teacup spin. No random focal changes. SHOT 2 — TIN CAN 0:06.0–0:12.0 63° FOV for the tin can lift. Hold during the roll. Push toward: 47° FOV at the sea cucumber impact. SHOT 3 — GLASS JAR 0:12.0–0:18.0 50° FOV, side-on to the jar so the open mouth AND Tuck are both visible. Push toward: 35° FOV for the embarrassment. SHOT 4 — HOPELESS 0:18.0–0:23.0 47° FOV for the exit from the jar. 35° FOV for the hopeless beat. 29° FOV for the glint and turn. SHOT 5 — THE PEARL SHELL 0:23.0–0:25.5 47° FOV, facing the shell's opening. Hold for the whole entry. No zoom. SHOT 6 — PERFECT FIT 0:25.5–0:33.5 40° FOV tracking the walk. 35° FOV for the jar tap. 29° FOV for the final pose. Rectilinear cinematic macro-prime lens character. 180-degree shutter motion blur. Shallow depth of field for close-ups. Deeper focus for the reveal. ================================================== CAMERA ================================================== SHOT 1: Camera moves immediately from frame one. Low macro dolly at sand level beside Tuck. Match Tuck's scuttling speed. As the teacup tips: camera circles around the spinning cup, keeps Tuck's dizzy face readable inside it. SHOT 2: Camera low beside Tuck while he strains under the tin can. When the can tips: camera tracks alongside the can as it rolls down the sand slope. Sand trail visible. End low and close on the sea cucumber impact. SHOT 3: Camera low and SIDE-ON to the jar lying on its side. Hold so the full backing-in action is visible in one continuous move. Slow push-in for the proud pose. Small reveal of the fish school staring. Push close for the embarrassment. SHOT 4: Camera stays side-on as Tuck crawls OUT of the jar mouth. Then slowly drifts and settles low in front of Tuck. Quiet. Almost still. Gentle slow push-in as the glint crosses his face. Hold as he slowly turns to look behind him. SHOT 5: Low at sand level, FACING the pearl shell's opening. Behind the sunken boat, under one thin sun shaft. Shell centered, opening toward camera. STEADY. No orbit. Very slow gentle push only. The whole entry is visible from start to finish. SHOT 6: Low tracking dolly beside Tuck, 3/4 front angle. Shell on his back AND his face both visible. Passes the empty glass jar. Settles into a low front hero framing, Tuck centered. CAMERA NEVER LOCKED OFF — except the steady hold during the pearl shell entry. ================================================== ACTION ================================================== SHOT 1 — OLD SHELL + TEACUP 0.0s–1.2s Tuck squeezes out of his tiny cracked old shell. Legs pushing. Cheeks puffed. POP. The old shell tumbles away across the sand. 1.2s–2.0s Tuck quickly covers his soft belly with both claws. Embarrassed glance left and right. 2.0s–3.2s He scuttles fast across the sand toward the junk pile. Eyes locked on the PORCELAIN TEACUP. 3.2s–4.0s TRY 1. He turns around and backs into the teacup TAIL-FIRST. Proud little nod. 4.0s–6.0s TOO BIG. The teacup wobbles. Tips over. Spins on the sand like a fairground ride with Tuck inside. Sand puffs outward. The spin slows. Tuck's eyes become dizzy spirals. Eye-stalks wobble. 6.0s HARD CUT. SHOT 2 — TIN CAN 6.0s–7.2s Tuck staggers out of the tipped teacup, still dizzy. Shakes off sand. Light sand dusting remains on his back. Eyes narrow with determination. He locks onto the TIN CAN. 7.2s–8.4s TRY 2. He turns around and backs into the tin can TAIL-FIRST. It fits. He tries to lift it. Legs shake. Claws strain. Face scrunched — the STRAINING pose. 8.4s–9.0s The can lifts only a few centimeters. Wobbles. Tips sideways onto the sand slope. Tuck's eyes widen. 9.0s–10.8s The can rolls DOWN THE SLOPE with Tuck inside. His legs flail out the open end. Sand sprays. 10.8s–12.0s BONK. The can hits the sea cucumber. The sea cucumber squishes and bounces it back. The can stops. Tuck's eye-stalks poke out, dazed. One strand of green seaweed now drapes over one eye-stalk. 12.0s HARD CUT. SHOT 3 — GLASS JAR 12.0s–12.8s Tuck walks up to the GLASS JAR lying on its side. Its open mouth faces him. Sandy. Seaweed still on his eye-stalk. His eyes widen with fresh hope. 12.8s–14.4s TRY 3. ONE CONTINUOUS ACTION, NO JUMP: He turns around. Backs up to the jar mouth. His curly tail slides in first. Then his body slides in, step by step. Legs grip the glass rim. He settles in. His head and claws rest at the open mouth, looking out. PERFECT SNUG FIT. 14.4s–15.4s Sunlight hits the glass. Caustics sparkle across it. Tuck puffs his chest and raises his claws proudly. Big smile. 15.4s–16.4s A school of tiny colorful fish stops right in front of him. They STARE. Tuck looks DOWN. He sees his whole soft body fully visible through the glass. 16.4s–18.0s He blushes. Covers his eyes with both claws — the HIDING pose. He stays inside the jar. The fish swim away. 18.0s HARD CUT. SHOT 4 — HOPELESS 18.0s–19.6s Tuck is still inside the jar, blushing. ONE CONTINUOUS ACTION, NO JUMP: He pulls himself forward with his claws and front legs. His body slides out through the jar mouth. His curly tail slips out last. The jar stays lying on its side. 19.6s–21.2s HOPELESS. Tuck slumps onto the sand beside the jar. No shell. Eye-stalks droop low. Eyes half-lidded and teary. Small frown. One small sigh. A single bubble rises. 21.2s–22.0s A soft rainbow GLINT flickers across the sand. It crosses his face. He barely notices. 22.0s–23.0s The glint flickers again. He slowly turns to look behind him. His eyes widen slightly. 23.0s HARD CUT. SHOT 5 — THE PEARL SHELL 23.0s–23.6s REVEAL. Behind the sunken rowboat, one thin sun shaft breaks through the kelp curtains and lands on the PEARL SHELL, a small Tuck-sized spiral shell resting on white sand, its big opening facing the camera, shimmering pink, lavender, aqua and gold. 23.6s–24.2s Tuck scuttles into frame. Stops RIGHT IN FRONT of the opening. FACING THE CAMERA. His back end points at the opening. Big wide hopeful eyes. 24.2s–25.5s ONE CONTINUOUS ACTION, NO JUMP: He walks BACKWARD into the opening. His curly cream tail goes in FIRST. Then his back half slides in. He keeps facing the camera. The lip of the opening frames his body as he sinks in. 25.5s HARD CUT. SHOT 6 — PERFECT FIT 25.5s–28.0s Tuck walks happily across the white sand WEARING the pearl shell. Big wide eyes. Big open smile. Claws swinging. The shell bobs on his back with every step. A few small colorful fish swim alongside him. 28.0s–29.8s He passes the EMPTY glass jar lying on its side — the one that embarrassed him. He gives the glass a cheeky little TAP with his claw. "Not you this time." Keeps walking. 29.8s–31.0s He stops. Turns to face the camera. The shell catches the sunlight. 31.0s–33.5s He raises both claws high — the POSING pose from the character sheet. Big wide eyes. Big open happy smile. He says: "Perfect fit!" Quick cheerful wink. An iridescent rainbow shimmer ripples across the shell. Tiny bubbles rise around him. END. ================================================== PERFORMANCE ================================================== Premium animated-feature character acting. Tuck's FACE and EYE-STALKS carry the comedy. Large eyes. Expressive brows. Eye-stalks that droop, wobble, stretch and shoot up. Every failed try follows: HOPE → confidence → realization → failure reaction. Important: Each failure must be instantly readable: TEACUP = too big. TIN CAN = too heavy. GLASS JAR = see-through. HOPELESS BEAT: Underplay it. Quiet. Sincere. No cartoon crying. Only: drooping eye-stalks, teary eyes, one sigh. This sincerity makes the reveal land. FINAL BEAT: Pure, warm joy. Big wide eyes — exactly like the "Happy" and "Posing" pictures on the character sheet. He must clearly be WEARING the shell when he says "Perfect fit!" The jar tap is small and cheeky, not mean. No over-the-top celebration. ================================================== SURFACE DETAIL ================================================== Glossy coral-red shell plating with soft specular highlights. Soft cream belly with gentle segments. Wet natural eyes with bright catchlights. Eye-stalks with subtle flex. PEARL SHELL: smooth mother-of-pearl, shifting iridescent color as light and angle change, crisp sparkle glints. GLASS JAR: clean refraction, slight distortion of Tuck's body behind the glass, bright edge highlights. PORCELAIN: smooth glaze, soft reflections. TIN CAN: dull metal, light rust, faded label. ================================================== PHYSICS ================================================== Stylized world. BELIEVABLE UNDERWATER PHYSICS. Mass and inertia carry through: scuttling, backing in, crawling out, spinning, lifting, rolling, impacts. Tuck has real weight. Legs compress under load. Body dips under the tin can. Heavy objects move slower. Tuck can only enter and exit objects through their OPEN END. Tuck NEVER passes through glass, metal or porcelain. UNDERWATER: Slight water drag on fast movements. Sand puffs rise and slowly settle. Small bubbles rise naturally. Kelp sways gently. Floating particles drift through sun shafts. OBJECT PHYSICS: Teacup rocks, tips, spins and slowly stops. Tin can rolls with weight and bounces off the soft sea cucumber. Sea cucumber squishes softly and recovers. Glass jar stays lying on its side, still and solid. Pearl shell rocks gently as he backs in, then lifts and moves WITH Tuck once worn. CONTACT SHADOWS: Always correct. ================================================== LIGHTING ================================================== Bright animated-feature midday sun through water. Sun direction: from above and slightly behind Tuck. Strong rim light along: eye-stalks, claws, shell plating, every shell option. Warm light bounce from white sand. WB: approximately 6000K. Turquoise water provides blue ambient fill. Dancing caustic patterns on sand, objects and Tuck. Visible sun shafts with floating particles. SHOT 4 — HOPELESS: slightly cooler, softer light. SHOT 5 — REVEAL: one thin warm golden sun shaft on the pearl shell. SHOT 6 — PERFECT FIT: bright, warm, sunny. FINAL FRAME: warm light on Tuck's face, iridescent reflections from the pearl shell on his back onto his body, clear catchlights in both eyes. ================================================== COLOR GRADE ================================================== STRICTLY FOLLOW REFERENCE COLORS. TUCK: coral red, deep red claws, cream peach belly and tail, orange-red legs, teal eyes. ENVIRONMENT: turquoise water, deep ocean blue distance, warm white sand, coral pink, sea-green kelp, sunlight gold. PEARL SHELL: soft pink, lavender, aqua, gold sheen. No crushed blacks. No muddy colors. No murky green water. No grey documentary look. Tuck must remain clearly readable against the colorful reef. ================================================== AUDIO ================================================== Sound-design-first comedy. Soft underwater ambience throughout. 0.0s–1.2s: squeezing creak. Cartoon POP. Old shell clatters across sand. 2.0s–3.2s: fast tiny leg patters on sand. 3.2s–4.0s: porcelain clink. 4.0s–6.0s: porcelain rattle. Spinning whirr. Little dizzy wobble sound. 6.0s–7.2s: wobbly footsteps. Sand shake. 7.2s–8.4s: metal scrape. Tiny straining grunt. 9.0s–10.8s: hollow metal rolling rumble. Sand hiss. 10.8s–12.0s: soft squishy BONK. 12.8s–14.4s: tiny leg taps on glass. Soft glass slide. Glass tink as he settles. 14.4s–15.4s: small rising musical victory sting. 15.4s–16.4s: music stops. Tiny awkward silence. 16.4s: small embarrassed squeak. 18.0s–19.6s: glass squeak as he crawls out. 19.6s–21.2s: quiet. One small sigh. One bubble. 21.2s–23.0s: soft magical shimmer chime. Repeats once, slightly brighter. 23.0s–23.6s: warm orchestral swell begins. Strings rise. 23.6s–24.2s: fast leg patters. 24.2s–25.5s: soft shell scrape. Gentle sliding. 25.5s–28.0s: playful happy music. Little tapping footsteps. 28.0s–29.8s: tiny glass "tink" from the claw tap. 29.8s–31.0s: soft shimmer. 31.0s–33.5s: TUCK SAYS: "Perfect fit!" Happy and bright. Tiny wink "ting". Music resolves on a bright final note. NO SUBTITLES. ================================================== STYLE ================================================== Premium feature-quality 3D animated family-comedy film. Disney-inspired visual language. Whimsical stylized proportions. Appealing shape design. Large expressive eyes. Clear readable animation acting. Stylized but physically believable surfaces. Soft subsurface scattering through: Tuck's belly, eye-stalks, kelp, coral edges. Soft global illumination. High-quality animated-feature shadows. Controlled clean specular highlights. Beautiful underwater atmospheric perspective. Lush painterly reef. Bright warm family-comedy color language. Sincere emotional close-ups. NO LIVE ACTION. NO REALISTIC NATURE DOCUMENTARY STYLE. NO FLAT 2D ANIMATION. NO TEXT. NO CAPTIONS. NO SUBTITLES. NO UI. NO LOGOS. NO WATERMARK. ================================================== OUTPUT SETTINGS ================================================== ASPECT RATIO: 16:9 LANDSCAPE. 1920×1080. 1080p. 33.5 seconds. 30fps. Real-time motion. NO SPEED RAMPS. SIX SHOTS. EXACTLY FIVE HARD CUTS: 0:06.0 0:12.0 0:18.0 0:23.0 0:25.5 ================================================== FINAL POSITIVE LOCKS ================================================== FORMAT LOCK: 16:9 landscape frame in every shot. NO vertical framing. NO square framing. NO letterboxing. NO black bars. [ @tuck ] is the ONLY character. Fish are background only. Tuck is present in every shot. Tuck always matches the character sheet: coral-red body, deep red claws, cream peach belly and curly tail, orange-red legs with maroon tips, TWO separate tall eye-stalks, one round eye on top of each, large white eyes, teal irises. NO eyes merged into a single head. NO CHARACTER REDESIGN. NO EXTRA LIMBS. MOVEMENT LOCK: NO TELEPORTING. NO position jumps. Every entry and exit is one continuous visible action through the object's open end. SHELL LOCK: Tuck backs into every shell TAIL-FIRST. Every shell option is hollow with a visible open end. TEACUP = too big. TIN CAN = too heavy. GLASS JAR = see-through. PEARL SHELL = perfect fit. Do NOT let Tuck wear two shells at once. Do NOT let any object morph into another. JAR LOCK: The glass jar lies ON ITS SIDE the whole time. NO upright jar. PEARL SHELL LOCK: Pearl shell is Tuck-sized — the size of his body. NEVER bigger than Tuck. Tuck WEARS it on his back. The shell moves WITH him when he walks. NO Tuck sitting in front of the shell. NO giant shell. NO shell size change between shots. Tuck enters ONLY through the big opening, walking backward, facing the camera. NOTHING goes into the spiral side. ONLY ONE Tuck. NO reflection of Tuck. NO crab inside the jar. CONTINUITY LOCK: Objects stay where Tuck left them. Sand and seaweed on Tuck build up until the final reveal. NEVER RESET. LOCATION LOCK: Same Glimmer Reef throughout. Same sunken rowboat. Same junk pile. Same sand slope. Same sea cucumber. Same hidden spot behind the boat. Same daylight. REVEAL LOCK: The pearl shell is ONLY revealed after the hopeless beat. It rests on the sand behind the sunken boat, under one thin sun shaft. FINAL FRAME LOCK: Tuck WEARS the pearl shell on his back. Shell sized to his body. Head, eye-stalks, claws and front legs outside the opening. Centered, facing camera. Both claws raised. Big wide eyes. Big happy smile. Shell shimmering. END. CAMERA CUTS ONLY: 0:06.0 0:12.0 0:18.0 0:23.0 0:25.5

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