Boosey & Hawkes, a BMG company, is the largest specialist classical music publishing company in the world.

London
Joined July 2009
Boosey & Hawkes retweeted
“It’s invigorating to be 89 and say, ‘Well, this is new!’” —Steve Reich In an interview with @nytimes, Reich discusses his latest work "In All Your Ways" as well as "Music for 18 Musicians," which premiered 50 years ago in 1976. nytimes.com/2026/10/13/arts/…
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“I thought an artist ought to be able to respond to a collective tragedy like this." John Adams reflects on the creation of "On the Transmigration of Souls" in @WSJ, 25 years after the September 11 attacks that prompted its commission. wsj.com/arts-culture/music/h…
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Adams discusses the difficult process of conceiving the work, from reading personal remembrances online and encountering missing-person fliers throughout New York to finding inspiration in Charles Ives’s "The Unanswered Question."
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He also reflects on the work’s central idea of a “memory space,” where recorded voices and sounds of urban life merge with orchestra and chorus. “What the piece is really about is the survivors,” Adams says. “It’s a piece about memory and loss.”
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Tonight @edintfest, @colincurrieperc Group perform the world premiere of @SteveReich ‘In All Your Ways’, the centrepiece of his 90th-birthday celebrations. ➡️Read an interview with Steve Reich about the new work, which draws its title from Proverbs 3:6. bit.ly/3UkRzUV
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Solution time! 💡 Our #NameThatPiece was Alfred Schnittke’s Viola Concerto — written for Yuri Bashmet and built around a six-note motif derived from his name. And our clue? The orchestra features eight violas, eight cellos and eight double basses — but not a single violin.
It’s Friday! 💡 Today’s mystery score puts one member of the string family firmly in the spotlight — while another is conspicuously absent from the orchestra altogether. Can you #NameThatPiece?
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It’s Friday! 💡 Today’s mystery score puts one member of the string family firmly in the spotlight — while another is conspicuously absent from the orchestra altogether. Can you #NameThatPiece?
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"Every now and then a new opera comes along that shakes your world," says @MusicalAmerica of the new recording of @davidtlittle's "What Belongs To You," based on @GarthGreenwell's 2016 novel. 📰: musicalamerica.com/news/news…
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Today's #NameThatPiece is Osvaldo Golijov's cello concerto "Azul," which is performed at @TanglewoodMA this weekend by the Boston Symphony Orchestra and soloist Christine Lee. The concerto was originally premiered at Tanglewood with @YoYo_Ma. 👏
We've made it today Friday! Today's mystery score incorporates unusual instruments such as waterphone, wind whistle, cajón, dumbek, talking drum, and hyper-accordion. 💡 Can you #NameThatPiece?
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We've made it today Friday! Today's mystery score incorporates unusual instruments such as waterphone, wind whistle, cajón, dumbek, talking drum, and hyper-accordion. 💡 Can you #NameThatPiece?
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Today's #NameThatPiece is James MacMillan's "Britannia," which is performed this weekend at Grand Teton Music Festival, led by Donald Runnicles.
It's Friday! 💡Today's mystery score weaves different British musical icons into a short orchestral fantasy. Can you #NameThatPiece?
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Boosey & Hawkes retweeted
It's always nice to get post. Doubly exciting when it's something you've written which has now been published. #newmusic @Boosey – at Chesham, South East
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It's Friday! 💡Today's mystery score weaves different British musical icons into a short orchestral fantasy. Can you #NameThatPiece?
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Solution time! 💡 Today’s #NameThatPiece was Harrison Birtwistle’s „The Minotaur“. Rather than retelling a familiar myth, the opera explores the inner world of the Minotaur himself—a powerful new perspective on an ancient story.
It’s Friday! 💡 This week’s mystery score revisits one of Greek mythology’s best-known tales — but from a strikingly different perspective. Can you #NameThatPiece?
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It’s Friday! 💡 This week’s mystery score revisits one of Greek mythology’s best-known tales — but from a strikingly different perspective. Can you #NameThatPiece?
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"There’s a lot of classical music that is quintessentially American, but if I had to pick one, I think the most American of them would be Aaron Copland’s 'Rodeo,'" says @nytimes culture writer Joshua Barone. nytimes.com/2026/07/05/podca…
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Solution time! 💡 Today’s #NameThatPiece was Galina Ustvolskaya’s Symphony No. 2, “True and Eternal Bliss!” Combining an extraordinary instrumental line-up with a reciting voice, the work creates one of the most singular and uncompromising sound worlds of the late 20th century.
It’s Friday! 💡 Today’s mystery score unfolds with an extraordinary instrumental line-up, a reciting voice, and an uncompromising musical language of remarkable spiritual intensity. Can you #NameThatPiece?
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It’s Friday! 💡 Today’s mystery score unfolds with an extraordinary instrumental line-up, a reciting voice, and an uncompromising musical language of remarkable spiritual intensity. Can you #NameThatPiece?
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