Criminology Graduate #writer in National Poetry Library, Gutter, Bristol Noir, shortlisted Bridport Poetry; winner Fiction Fac. Ex Special #Police #Constable

United Kingdom
Joined January 2022
Kindly Go Buy a Copy of My Book for 8 Quid Only Published by Dithering Chaps ditheringchaps.com/shop/p/ge… #StrictlyComeDancing #CelebrityTraitors #WhittakerWallace
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It gasted my flabber. Google knows my name? Eh? Don’t like this new setting.
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Bridgette James retweeted
ditheringchaps.com/shop/p/ge… Gestating Creatures £8.00 For readers drawn to bold, questioning poetry about women’s bodies, fertility and the expectations surrounding motherhood. Bridgette James explores IVF, endometriosis, pregnancy loss and cultural and religious pressures through inventive, unflinching poems. #BLEACH
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Gosh. What a legend.
An update from me...
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ditheringchaps.com/shop/p/ge… Gestating Creatures £8.00 For readers drawn to bold, questioning poetry about women’s bodies, fertility and the expectations surrounding motherhood. Bridgette James explores IVF, endometriosis, pregnancy loss and cultural and religious pressures through inventive, unflinching poems. #BLEACH
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Introducing Our Poets on the Spectrum Page ellaspoems.com/poetsonthespe… Autism can contribute positively to creativity. Are you on the spectrum? Research shows that many autistic people develop distinctive creative strengths due to differences in how they perceive, process, and connect information. Send in your poems, stories and articles. #cpfc
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ellaspoems.com/pennedinragej… One of our 2026 Pushcart nominees is Australian short fiction writer: Pavle Radonic for his story, ‘Buccaneers & Pirates.’ 👇 ‘Asked why the Africans resorted to English instead of Somali or Arabic, Allen replied with pique, Because we are not Arabs.’ #StrictlyComeDancing #AbreOSigiloFlavio
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Bridgette James retweeted
Virtual Book Club Anne Calson: “To be seen feeling anything strips you naked" - [“To feel anything deranges you. To be seen feeling anything strips you naked. In the grip of it pleasure or pain doesn’t matter. You think what will they do what new power will they acquire if they see me naked like this. If they see you feeling. You have no idea what. It’s not about them. To be seen is the penalty.” ― Anne Carson] -------------------------------------------------------------- How should we describe Leah's feelings while living under jihad-captivity in a forest in Nigeria? In today’s install, we unpick a 14-line poem (most likely a sonnet; not sure) by Ogaga Ifowodo. Multisensory Imagery Examples from Poem Tactile imagery -Now fully naked, the moon's radiance covers me with a longing (Can you feel cold/warm?) Organic imagery – fading from my memory Gustatory imagery - dinner after the dizzy delight Kinaesthetic imagery -falls into a well Auditory Imagery -children's careless play (Can you hear rambunctious kids playing?) Visual imagery - The moon strips herself to shine brightest Olfactory imagery - the smoke from a pipe in a contented corner mixing aromas with my mother's heady herbs. #aplaceinthesun
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THAT'S HOW WE RUN OUT OF OXYGEN [Copyrighted] Ogaga Ifowodo Winner 🥇 The 2026 Nigeria 🇳🇬 Prize 🏆 for Literature 〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️ And that's how we are paralysed, sitting there heaving spoonfuls of curried rice and minced meat in our mouths, the wine breathing beside precious china, a delightful red, while the fearless furnish their fury with v*rgin girls (boys sometimes, they can quickly learn to shoot): that is how we surrender our lungs to zealots whose lust is stronger than our outrage, deeper than the seabed, where no prayer reaches: how lying down to dream, we drown with our convictions as the mad megaphones of God muddle speech, pitch their tents in every street: how we strain in vain to recall the shared air, land, water, the colour of what flows in our veins, but very soon run out of oxygen, and unmake the molecules of our blood, said the preacher, reciting verses not out of the good book but the book he writes in the hour Christ wept. How to analyse a poem for GCSEs O’Level [Copyrighted Material Used for Teaching Purposes Only] ----------------------------------------------------------- THE FIVE Ws The five Ws can help us begin to understand the poem. Consider: what is the poem about? When is it set? Where is it set? Why did the poet write it? Who is speaking (‘the perspective’)/ who are they speaking to? THE TWO Ts- THEME / TONE You can also think about the two Ts: theme and tone. What do you think are the poem’s key themes (the central ideas)? How would you characterise the tone? As you read the poem, think about which of the five Ws and two Ts you can spot in it. You might not be able to answer all of them for every poem you come across. Make some notes about the ones you can spot. Notes – REMEMBER: WHAT / WHEN / WHERE / WHY / WHO? Did you identify any of these features please? ------------------------------------------------- 1. metaphor 2. first-person singular point of view 3. sibilance (a hissing sound is created in a group of words through the repetition of 's' sounds.) 4. repetition 4b. consonance (the recurrence of similar-sounding consonants in close proximity) 5. abstract nouns 6. juxtaposition 7. declarative 8. alliteration 9. enjambment (Enjambment, from the French meaning “a striding over,” is a poetic term for the continuation of a sentence or phrase from one line of poetry to the next. An enjambed line typically lacks punctuation at its line break.) 10. assonance 11. tripling (Groups of three – repetition of three phrases) 12. structural parallelism (example -“Fool me once, shame on you; fool me twice, shame on me.” using the same pattern of words to show that two or more ideas have the same level of importance.) 13. imperative 14. couplets 15. interrogative 16. personification 17. semantic fields (The words in a semantic field share a common semantic property. Most often, fields are defined by subject matter, such as body parts, landforms, diseases, colours, foods, or kinship relations.) 18. first-person plural point of view 19. imagery 20. simile. See less #MagentaMonday #AllMetalMonday
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Did you identify any of these features please? ------------------------------------------------- 1. metaphor Answer = Yes. 'the colour of what flows in our vein' 2. first-person singular point of view Answer = No. 3. sibilance (a hissing sound is created in a group of words through the repetition of 's' sounds.) Answer = Yes. 'sitting there heaving spoonfuls' 4. repetition Answer = No 4b. consonance (the recurrence of similar-sounding consonants in close proximity) Answer = Yes. 'as the mad megaphones of God /muddle speech, pitch their tents' 5. abstract nouns = No 6. juxtaposition (Juxtaposition is a literary device where the writer places two elements next to each other so that the reader compares them) Answer = V/irgin girls and boys should be innocent but we are told they quickly learn to shoot. (Remember in Literature as long as you can evidence an idea in a poem, you might at least get a mark) 7. declarative (A declarative in poetry is a type of statement — often a declarative phrase or sentence — that directly expresses an idea, fact, or opinion) Answer = Yes. Lines 1 & 6; example: that is how we surrender our lungs 8. alliteration Answer = Yes. 'mad megaphones;' 'fearless furnish' 9. enjambment (Enjambment, from the French meaning “a striding over,” is a poetic term for the continuation of a sentence or phrase from one line of poetry to the next. An enjambed line typically lacks punctuation at its line break.) Answer = almost all the lines are enjambed. We have to keep reading to complete their meaning. 10. assonance Answer = Yeas. In line 1 we play with the /æ/ sound: '*and'; '*are'; 'p*ar*alysed' 11. tripling (Groups of three – repetition of three phrases) Answer = No. 12. structural parallelism (example -“Fool me once, shame on you; fool me twice, shame on me.” using the same pattern of words to show that two or more ideas have the same level of importance.) Answer = No. 13. imperative Answer = No. 14. couplets Answer = No. 15. interrogative Answer = No. 16. personification Answer = Yes. 'the wine breathing' 17. semantic fields (The words in a semantic field share a common semantic property. Most often, fields are defined by subject matter, such as body parts, landforms, diseases, colours, foods, or kinship relations.) Answer = Yes. spoonfuls / of curried rice and minced meat / in our mouths, the wine breathing / beside precious china, a delightful red 18. first-person plural point of view Answer = Yes. first person plural - we/our/we etcetera 19. imagery Answer = Yes. (types=Gustatory -eating; visual - a delightful red; colour of what flows in our veins; Auditory -megaphones etcetera 20. simile. Answer = No.
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Bridgette James retweeted
Virtual Book Club Anne Calson: “To be seen feeling anything strips you naked" - [“To feel anything deranges you. To be seen feeling anything strips you naked. In the grip of it pleasure or pain doesn’t matter. You think what will they do what new power will they acquire if they see me naked like this. If they see you feeling. You have no idea what. It’s not about them. To be seen is the penalty.” ― Anne Carson] -------------------------------------------------------------- How should we describe Leah's feelings while living under jihad-captivity in a forest in Nigeria? In today’s install, we unpick a 14-line poem (most likely a sonnet; not sure) by Ogaga Ifowodo. Multisensory Imagery Examples from Poem Tactile imagery -Now fully naked, the moon's radiance covers me with a longing (Can you feel cold/warm?) Organic imagery – fading from my memory Gustatory imagery - dinner after the dizzy delight Kinaesthetic imagery -falls into a well Auditory Imagery -children's careless play (Can you hear rambunctious kids playing?) Visual imagery - The moon strips herself to shine brightest Olfactory imagery - the smoke from a pipe in a contented corner mixing aromas with my mother's heady herbs. #aplaceinthesun
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bbc.co.uk/news/articles/cq98… This is the real definition of a witch hunt not the Twitter misclassification.
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The view outside my living room window 🪟 is one to frame 🖼️ a room wall. #ShattaFestGH26
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ellaspoems.com/#burst-magazi… @followers Welcome to the glossy, new LGBTQ magazine run by two brilliant creatives: Esona & Chidera. From November, anonymous reportage will be possible for submitters living in Africa. You would be able to send in news about events or concerns/stories about bullying, harassment, State policies etcetera without the fear of being identified. #battlefest
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