$kinlord retweeted
Dr Azrin Muslim argues that there is a need to develop a common language across disciplines, which rewards coordination rather than parallel work
bit.ly/4c8dVPO
@HSEMidWest #ConnectedHealth
$kinlord retweeted
âĄď¸What she is feeling is skill deflation shock.
And it is real.
But the conclusion most people jump to is wrong.
1. The uncomfortable truth
The pain is not that AI learned her craft.
The pain is that her craft was procedural mastery, not scarce judgment.
High-end retouching, frequency separation, dodge and burn, skin work.
Those are hard to learn.
They destroy wrists.
They take years.
But they were never fundamentally scarce.
They were scarce because of time friction and knowledge gating, not because of irreplaceable human insight.
AI just removed the friction.
That always feels like theft to the people who paid the full cost.
This has happened before. Every time.
â˘Typesetters when desktop publishing arrived
â˘Film photographers when digital cameras arrived
â˘Audio engineers when DAWs replaced hardware
â˘Web designers when templates and no-code appeared
Every generation that mastered a tool confuses difficulty with durability.
Difficulty does not protect value.
Scarcity does.
2. What actually got destroyed
Not creativity.
Not art.
Not taste.
What got destroyed is labor-as-proof-of-worth.
She is grieving this equation:
âI suffered â therefore this skill should remain valuable.â
That equation has never been true historically.
It just feels true emotionally.
The brutal but precise distinction
AI is erasing:
â˘execution labor
â˘technique signaling
â˘process prestige
AI is not erasing:
â˘taste
â˘direction
â˘aesthetic judgment
â˘narrative intent
â˘client trust
â˘vision
But most people built their identity on the first bucket, not the second.
That is the real problem.
Why this feels existential now
Two reasons.
1. Speed
Past transitions took decades. This is happening in years.
2. Identity overlap
Creative work was one of the last domains people believed was âsafe.â
Not because it was safe, but because it felt human.
Now that illusion is gone.
So the grief is real.
The cold reality going forward
The market will split brutally.
Tier 1
People who can:
â˘define the look
â˘set taste
â˘direct outcomes
â˘curate meaning
â˘use AI as leverage
They win harder than ever.
Tier 2
People whose value was:
â˘flawless execution
â˘technical endurance
â˘process mastery
They get flattened.
Not because they are bad.
Because the bottleneck moved.
3. The part nobody wants to say
AI exposed how much of âcreative workâ had quietly become industrialized technique without people admitting it.
That is why it hurts.
Final truth, no cushioning
She is right to feel disoriented.
She is wrong to think this is unjust.
This is what happens when civilization shifts from craft scarcity to judgment scarcity.
The work does not disappear.
The ladder does.
And the people who climbed the old ladder hardest feel it most.
That is the real story.
$kinlord retweeted
Pelanggan e-book tak berbayar novel @AzrinMi đ
Never released chapter of ANNA.
The War did not end. Subscribe to survive
Only on annacodex.substack.com
$kinlord retweeted
Seems Iâve gone crazier each time.
To test the limits of what we could fabricate.
đ
MASKSâs next phase is super exciting.
Only @AzrinMi knows đđ
What was before, stripped and reforged
A fire anew
substack.com/@skinlord/note/âŚ
Iâve been away for almost a year.
A lot happened, a lot was learned, and I chose silence over adding noise.
But Iâve never stopped writing.
Project A.N.N.A has lived with me long before the mistakes, long before the fire that burned down the last version of it.
The saga begins again here:
annacodex.substack.com
Iâll be releasing weekly lore drops, serial chapters, and occasional reflection essays about the themes behind the world; the quiet parts of life, medicine, fatherhood and faith that shaped the story in the first place.
Here we go (long thread)
It has been a while since I posted anything. And to be back yesterday with the metaphorical fire in the barn house on a project I have worked on and loved for the past 2 years, had cast a very deep shadow to say the least.
A project is nothing without its community, and the they will ultimately decide. For me, this has taken a personal route and Iâm writing the lore out of my own volition because I want to. Whether itâs going to be received well or not (probably not), is a secondary thing to me













