Daytona

Some fever dreams. It's okay, Just take the pill. 💊 Happynex™ (Sound on 🔊)

This will be something cool. Eventually.

Minotaur - Paradox #086

Detail of the different parts of the scene. Made with @threejs.

My new piece "Video Arcade" is done! 👾 I'm super happy with it. Probably one of my most detailed pieces so far. There's something really satisfying about bringing an idea to life exactly as you imagined it. Hope you like it! 🩶 (This will be part of the XYZ collection.)

BUILD YOUR OWN REAL HARDWARE 🔥 (Spoiler: Initial Prompt in the last post! 👀) 1/9 I wanted to try designing a piece of hardware I could build myself, and put the whole development process in one app. That became JAVTUNE (Pretty original😁): from the initial 3D model and engineering views to electronic connections, assembly guidance, print settings and Amazon/Alibaba part searches. The goal is to take it from a digital concept to something I can 3D print, wire and assemble at home, with automatic generation of printable files as part of that workflow. The stack Opus 5.5 → initial modeling Astra → refinement Three.js → interactive 3D Anatomy → technical visualization workflow React + TypeScript → UI and shared data Framer Motion → UI transitions Vite → development and builds Let's take a deeper look 👇

With the TCG market ripping I have to remind you that you can order the official Paradox TCG booster pack in my website! - Shipping worlwide - Pay directly with Crypto - Top Quality Some collectors have already grabbed their packs and love them 🥰. Grab yours! 👇

I have way more relationships with AI agents than with humans rn. 💀

A cool trick to simulate depth and save time and tokens. In my new Video Arcade piece I have an entrance where you can see the outside. The street outside combines 3D geometry with a single 2D image to create the illusion of a much deeper environment. The technique is called projection mapping. We project the image onto several simple surfaces: a horizontal ground plane, two side walls, and a distant background. They share the same projection, calibrated around the image’s horizon, vanishing point, and camera height. This makes the photographed pavement follow the ground’s perspective. Closer to the entrance, the street uses actual 3D elements: facades, signs, lamps, sidewalks, and overhead wires. As the camera moves, these elements create parallax and occlusion, nearby objects shift more than distant ones and naturally hide parts of the background. The transition matters just as much as the geometry. The 3D floor gradually blends into the projected pavement, while matching brightness and color helps both parts feel connected. A subtle, depth-aware blur softens the exterior while keeping the interior sharp. It’s a lightweight 2.5D environment: real geometry provides the depth cues, and the image supplies the distant detail. The background’s initial softening is also prepared during loading, saving repeated work while the scene runs.

"Autopsy of a Storm". @threejs

Update.

- Hey Jav, you didn't post anything since a few hours , are you alive? - Yeah, just making something fucking awesome, give me a beak mfer.

I've made a quick demo using the procedural base from "Train of Thoughts", allowing to change between day and night in real-time rendering. Sound on 🔊 Made with @threejs

🫥

NFTs Fan - Paradox #306

gm ✨ "Something in the Sky" (2024). I still love this piece.

Sneak Peek 2 , update.

gm ✨ @threejs

Where were you at 03:17? A short audiovisual experience made in Opus 5.5. Sound on 🔊