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No bass. No drums. Just the music the song needed.
Eric Marienthal, Peter Erskine, John Patitucci, and George Whitty discuss why they resisted the temptation to overproduce a recording.
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#MusicProduction #ArtistWorks
Sixth chords. Alternating bass. A little rhythmic bounce.
Matt Rollings shows how these elements come together to create that classic western swing piano sound.
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#MattRollings #WesternSwing #ArtistWorks
Nathan East lays down a reggae bass groove.
Great feel, a strong pocket, and a reminder that sometimes less really is more.
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#NathanEast #ReggaeBass #ArtistWorks
Mike Marshall on mandolin. Darol Anger on fiddle.
Two bluegrass masters take their turn on "Blue Lonesome" with the ArtistWorks All-Stars at RockyGrass.
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#MikeMarshall #DarolAnger #Bluegrass #ArtistWorks
Your guitar pick is flat. Your strings are round.
Dave Isaacs explains why letting the pick glide off the string, rather than forcing it through, can produce cleaner notes.
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#DaveIsaacs #GuitarTips #ArtistWorks
A little midtempo piano fun with Matt Rollings.
Great feel, musical personality, and a chance to enjoy the changes.
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#MattRollings #Piano #ArtistWorks
Playing softer shouldn't mean losing your saxophone tone.
Eric Marienthal explains how air speed, breath support, and physical awareness help control dynamics while maintaining sound quality.
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#EricMarienthal #Saxophone #ArtistWorks
John Patitucci. Eric Marienthal. Peter Erskine. George Whitty.
Four jazz masters building the energy on "Oasis" in the ArtistWorks studio.
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#Jazz #ArtistWorks
Michael Daves takes the spotlight on "Blue Lonesome" alongside Andy Hall and the ArtistWorks Bluegrass All-Stars at RockyGrass.
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#MichaelDaves #Bluegrass #RockyGrass #ArtistWorks
Strum through the strings, not into the guitar.
Dave Isaacs explains how a natural swing and proper follow-through can improve your strumming technique.
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#DaveIsaacs #GuitarTips #ArtistWorks
Should you anchor your pinky when picking mandolin?
Mike Marshall and Adrian Gross discuss hand position, finger balance, and avoiding unnecessary tension.
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#MikeMarshall #Mandolin #ArtistWorks
Same lick. Different key.
Paul Gilbert and Nathan East explain the clever modulations and transitions behind their arrangement of Stevie Wonder's "Sir Duke."
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#PaulGilbert #NathanEast #SirDuke #ArtistWorks
Andy Hall kicks off "Blue Lonesome" on dobro with the ArtistWorks Bluegrass All-Stars at RockyGrass.
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#AndyHall #Bluegrass #RockyGrass #ArtistWorks
Good saxophone airflow isn't just about blowing harder.
Eric Marienthal shares a simple visualization for keeping the air moving steadily and naturally.
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#EricMarienthal #Saxophone #ArtistWorks
Three chords, plenty of possibilities.
Matt Rollings takes a simple progression in E and adds blues scale ideas, drone notes, and sixths to create country piano fills.
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#MattRollings #CountryPiano #ArtistWorks
John Patitucci on the foundation of a great band: the connection between bass and drums.
Listen to the kick, the ride, and the subdivisions. Once the rhythm section locks in, the music can open up.
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#JohnPatitucci #PeterErskine #ArtistWorks
Mandolins are naturally bright. How do you make them sound warmer?
Mike Marshall and Adrian Gross discuss picks, strings, hand position, and controlling tone through technique.
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#MikeMarshall #Mandolin #ArtistWorks
Your upstroke isn't another swing. It's the return.
Dave Isaacs explains why lifting your arm can make guitar strumming harder than it needs to be.
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#DaveIsaacs #GuitarTips #ArtistWorks
Paul Gilbert on guitar.
Nathan East on bass.
Trading solos on Stevie Wonder’s “Sir Duke.”
That’ll do.
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#PaulGilbert #NathanEast #SirDuke #ArtistWorks
Want that classic country swing sound?
Matt Rollings demonstrates some country swing fills you can start adding to your own playing.
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#MattRollings #CountryPiano #ArtistWorks
