Classical music writer and editor. Violin geek/bore and happy amateur. Sign up to my free Elbow Music Substack for classical music views and interviews

London
Joined May 2012
Czech composer Pavel Haas was deported to Auschwitz #OTD in 1944, and died in the gas chambers. #NeverForget holocaustmusic.ort.org/place…
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Have the players on Young Musician of the Year been told to dress down? 🤔
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Ariane Todes retweeted
The sexual violence against women and children on October 7 was cruel beyond imagination, systemic and barbaric, and it is now greatly documented and proven beyond doubt across several internationally recognized reports. The subsequent silencing and denial of that violence by Western women, and the abandonment of the female warriors for the truth of October 7 and its aftermath, is the greatest betrayal of sisterhood in modern history. The credibility of those who have disappeared or relentlessly victim-blamed Israel and the Jewish people for these acts of horror is forever destroyed.
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October 7 2023 is the most documented and intensely filmed crime of mass murder and atrocious sadism in all of human history. Those who celebrated it on that day, October 8 2023 and the following weeks shocked us all. Today should only be a sorrowful day. Those who march today of all days in London or elsewhere are not only rejecting and mocking the most elementary decency but celebrating the killing, torture and rape of ordinary people. It is hard to think of anything more degenerate and depraved. The decision to allow this march today is unconscionable, cowardly and despicable @metpoliceuk @ShabanaMahmood, an abuse and degradation of our values of free speech and assembly, particularly after countless demonstrations that have already taken place. I am afraid it reveals a saddening and alarming void at the moral centre of this government and police that should worry us all.
🧵 We have imposed conditions on a student march that is expected to take place tomorrow, Wednesday, 7 October.
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Ariane Todes retweeted
Today marks three years since October 7th 2023 - the deadliest day for the Jewish people since the Holocaust. On that day, Hamas terrorists unleashed a wave of barbaric violence, murdering more than 1,200 innocent men, women and children, and taking 251 people hostage. We remember all those murdered. May their memory be a blessing.
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The second issue of my new Elbow Eclectic Edition is out: Augustin Hadelich astonishes at the Proms; the conflicts of David Oistrakh; is it okay to be bored in concerts?; Auric and Aimez-vous Brahms?; and vulgar violinists in paint. Read and subscribe: elbowmusic.substack.com/p/el…
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Having rewatched the whole 7Up to prepare for the final 70Up, I feel a bit short-changed that most of it is old footage. Still, although the series is deeply flawed, especially Michael Apted’s awful questions, it’s been a remarkable project and has made me cry a lot. Life, eh?
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I think this might be my favourite Leonard Cohen song of all, and I’m so glad I got to see him on that 2008 tour…
Leonard Cohen, “Who By Fire,” London 2008, a song based on the traditional Jewish High Holy Day prayer Unetanneh Tokef, about who might not make it to next year and how.
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The late great DANNY KAYE conducting "Flight of the Bumblebee" for the New York Philharmonic Orchestra in 1981
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After September 11, more than a million tons of the World Trade Center was loaded onto barges and shipped to a garbage dump on Staten Island. Then hundreds of men and women stood at conveyor belts for ten months and picked through every ounce of it by hand. They were looking for people. The place is called Fresh Kills. For fifty years it was the largest landfill in the world. It took its last barge of household trash on March 22, 2001, and shut down for good. New York was finally done with it. Five and a half months later, at two o'clock in the morning on September 12, the landfill's director got a phone call at home. He had just walked in the door. Two trucks were at the gate. They were carrying pieces of the World Trade Center. He drove back. The man who ran the dump would later say, without any drama, that if Fresh Kills had not been closed, this could never have happened. There would have been no room. The garbage would have been in the way. The site was empty. So that is where the towers went. Here is how it worked. At Ground Zero, cranes and grapplers lifted the debris into dump trucks. The trucks drove to a pier on the Hudson. There, the load went onto barges, six hundred tons at a time. The barges were towed down the harbor, past the Statue of Liberty, to Staten Island. More than fifteen hundred barges made the trip. At Fresh Kills, sanitation workers unloaded them onto a hill. And then the sorting began. The debris was mechanically screened into three sizes. Chunks bigger than eight inches. Two to eight inches. A quarter inch to two inches. Anything smaller than a quarter of an inch, the size of a fingernail, fell through the last sieve. Everything above that size went onto a conveyor belt. And along the belts stood the detectives. NYPD. FBI. Port Authority police. Medical examiners. Dressed head to toe in white Tyvek suits, in masks, in gloves, on a hill that stank of jet fuel and pulverized concrete and things nobody wanted to name. Looking down at the belt, hour after hour, as the towers rolled past them a fist-sized chunk at a time. When they saw something, they reached in and took it, and placed it in a white bucket at their feet. A wedding ring. A photo ID. A set of keys. A shoe. A piece of a person. The white buckets went to a tent that served as a morgue. The volume was beyond comprehension. In mid-September the operation was processing 1,750 tons of debris a day. By mid-October, 17,500 tons a day. Ten times more. Round the clock. The 200-acre hill was declared a federal crime scene and stayed one for ten months. A retired NYPD detective later wrote down what a shift looked like, because almost nobody outside knew it existed. You wake at 3 a.m. You get a giant coffee. You drive two hours in the dark from Orange County, through New Jersey, to Staten Island. You park at the bottom of a hill that looks like the end of the world. You put on the white suit. You go to your belt. You stand there. You look. Then you drive two hours home and do it again tomorrow. Sanitation workers pulled sixteen-hour shifts, seven days a week. One of them, a supervisor named Barry Asnes, said afterward what kept him there. We were attacked on our own soil, in the city where I was born. This was personal. The operation did not stop for weather. It did not stop for Christmas. It ran until July 2002. Ten months. By the end, the men and women on that hill had recovered thousands of human remains. Tens of thousands of personal effects. Wallets, badges, wedding bands, photographs, all cleaned and catalogued and returned to families who had nothing else to bury. When they were finished, the remaining material was placed in a 48-acre section of the landfill, a mound two hundred and twenty-five feet high, and covered. It is a park now. Many of the men and women who stood on that hill have lung disease. Asthma. Cancer. PTSD. The air they were breathing, eight and ten and sixteen hours a day, was full of the towers. Some of them have died of it. Almost nobody knows their names. Almost nobody knows the place. Mention Fresh Kills and 9/11 in the same sentence, the retired detective wrote, and most people will have no idea what you are talking about. Here is what you should know. Two thousand seven hundred and fifty-three people were murdered in those towers. Only about six in ten have ever been identified. Every one of those identifications came out of a white bucket. Every wedding ring returned to a widow. Every badge returned to a firehouse. Every fragment of bone matched to a name and buried with a headstone instead of a question mark. Somebody in a white suit, standing at a belt on a garbage dump at four in the morning, reached into the World Trade Center as it rolled past, and picked that person up, and put them in a bucket, and sent them home. They did that for ten months. Nobody applauded on the hill. There was nobody to watch. They did it anyway. 🇺🇸
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Ariane Todes retweeted
Glenn Gould plays Beethoven's Sonata for piano and cello (A maj) with the incredible Cellist Leonard Rose! Thoughts on this performance? #classicalmusicmonth
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I remember Lynn Harrell conducting the Royal Academy orchestra in the William Tell Overture in St Paul's Cathedral, and the utter cacophony as the snare drum bounced around the dome and walls and we tried to work out what was happening. Good luck to the Fabric sound engineer...
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Holy fiddle!
🎻Mozart retorna ao Vaticano após 256 anos! Na Audiência Geral, #PapaLeãoXIV saudou os músicos da orquestra juvenil de Salzburgo “Bella Musica” Durante o encontro, segurou um dos dois violinos originais de Mozart - um encontro que remeteu a 1770! 👉🏽tinyurl.com/y2sdshvw
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Two inches’ clearance! 😱
September 4, 1927 Buster Keaton films the famous falling house-front stunt for Steamboat Bill, Jr. The front weighed approximately two tons and was released by multiple ropes on the roof, with just 2 inches of clearance around the falling window.
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And here's the link if you missed last night's Prom... bbc.co.uk/sounds/play/m0030j…
That was the most thrilling and profoundly moving Beethoven Violin Concerto I’ve heard in years, maybe ever. Hadelich knows exactly when to linger and when to fly, the orchestra nimble to his fancies, and every note is beautiful, but never fussy. Absolutely superlative. #bbcproms
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A Lady Standing at a Virginal #artbots #vermeer
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That was the most thrilling and profoundly moving Beethoven Violin Concerto I’ve heard in years, maybe ever. Hadelich knows exactly when to linger and when to fly, the orchestra nimble to his fancies, and every note is beautiful, but never fussy. Absolutely superlative. #bbcproms
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Cheeky repost of my last interview with him... substack.com/home/post/p-142…
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