
Cosmology, Science of light, Physics, Theology, Esoteric art & symbolism, Etymology. Rev. Robert Taylor. Dr. Russell Gmirkin. β οΈ #Nation #Dubs #Meditation
Antioch
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This cartouche is an artifact dating to the 14th century BC. 1,000 years before the Old Testament. βTo give, Those that travel on foot, YHW3[W]β Cartouche is French. The ancient Egyptians called it βrnβ meaning βnameβ. It was a name of a high official or, most likely, a Priest.
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The mystical and the profound, where the ancient aligns with the astrological, the Tribe of #Asher a celestial signpost.
In the sacred texts, we find an allegorical map of the cosmos, where each tribe of Israel mirrors the Mazzaroth, each carrying its celestial significance. The Tribe of Asher, none other than the Sun in Libra, the scales of justice, balance, and harmonyβΧΦΉΧΧΧ Φ·ΧΦ΄Χ in the Hebrew tongue, which, if we trace its etymology, whispers to us from the sands of Egypt, where balance and justice were the bedrock of Ma'at.
"The blessings of thy father have prevailed above the blessings of my progenitors unto the utmost bound of the everlasting hills,"
says Jacob of Asher in Genesis 49:26. Here, the "uttermost bound" speaks to us of the horizon, where the sun sets in Libra, the line where day meets night, where balance is paramount.
And let us not forget, the words of Moses in Deuteronomy 33:24-25, where Asher is blessed with favor, with oil, and with strength. Oil, the symbol of light of the night, of the sun's gift to humanity, and strength, the fortitude required to uphold balance, to maintain the equilibrium of Libra.
May this understanding bring us closer to the truth, to justice, and to the perpetual balance that is the legacy of Asher, the Sun in Libra, in the house where Venusβ scales ever sway.
Let the heavens declare the glory of God.
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Replying to @Thekeksociety
βJesus have sent mine angel to testify unto you these things in the churches. I am the root and the offspring of David, and the bright and morning star.β
Lucifer is Venus, the light bringer and morning star.
The two houses of Venus are Taurus and Libra.
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The sun, 19Β° of Libra, ΧΦΉΧΧΧ Φ·ΧΦ΄Χ, the Scales of Egypt, a symbol of judgment as the sun departs its autumnal balance. The sunβs leave-taking heralds a cosmic shift, a transition encoded in the stars, spreading from The Babylonian Zibanitu, Hebrew MITzM, Egyptian scales of Maβat, and Latin Libra all mean "scales," symbolizing justice and balance.
The Exodus unfurls as a stellar saga: oppression under Libraβs scales. This is no literal tale, but a shared human encoding, believed as truth by ancient Ugaritic priests, Egyptian scribes, and todayβs Abrahamic faithful. From Mesopotamiaβs ziggurats to Egyptβs pyramids, through the levants trade winds, the stars sing of order over chaos, a hymn preserved in heavens, where the stars dance as one.
From Mesopotamian scales of justice, liberating souls from chaos through cosmic balance under Shamashβs gaze. The Hebrew, freed the Israelites from moral bondage, weighing righteousness against sin. Egyptβs, Maβatβs feather, judged hearts in the afterlife, granting passage from earthly chains to eternal freedom. The Greek, under Astraeaβs watch, symbolized escape from discord through harmony and law. Each cultureβs scales heralded liberation from darkness, balancing light and truth.
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13Β° of #Libra, the Scales of justice. In Hebrew, Mozna'im, in Arabic, Al Zubena, Coptic, Lambadia, from the Latin Libra, as in Isaiah xl. 12, weighing truth.
Its brightest star, Ξ±, Zuben al Genubi, in the lower scale, declares manβs ruin, βweighed and found wantingβ Ps. xlix. 7, lxii. 9. None can redeem his brother, the price is too costly. Yet, hope rises in the upper scale with, Ξ², Zuben al Chemali, the price which covers. And Ξ³, Zuben Akrabi, toward the slain Victim, heralds the price of the conflict.
In the Dendera Zodiac, Libra reflects the Scales of Maβat, goddess of justice, where souls are weighed in the afterlife. IaαΈ₯-αΈ₯w. ty, the ibis headed God, oversees the judgment, recording the verdict. The jackal above, is the cosmic order and divine oversight, symbolizing Anubis's dominion over the transition from life to death, guiding and judging the soul's journey.
Foreshadowing the Cross endured, the Victim slain, and the Crown bestowed. The celestial harmony of justice and redemption.
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Exodus 33. βNo man can see me.β But for Moses, The Lord felt Moses worthy enough to see his ass.
Those who still bow to the letter while the heavens themselves preach the allegory! Revelation 11:8 does not babble of three separate places of vice; it welds Sodom, Gomorrah, and Egypt into one great city, one spiritual place for the underworld, the dark half of the solar year.
When the Sun slips beneath the autumnal equinox it enters its cosmic detriment, bondage, submersion, and spiritual decay.
Gomorrah, Amorah, is the drowning, the overwhelming by the primordial waters; Sodom, Sedom, is the scorching, the sulfurous choke of dead cold. The luminary that was exalted in Aries is weighed in the scales of Libra, found wanting, and cast into the Water and Earth quarters, stripped of power, trapped beneath the horizon in the material abyss.
The twin plates of that balance hanging at the gate of the underworld! The Great City is not a map of Palestine or the Nile, it is the realm of pure materialism where the divine spark is buried, blinded, and bound through the winter months. Fire and brimstone mark the dive from Libra into Scorpio and Sagittarius, the very transition the priests have turned into a moral scarecrow while they hide the astronomy. Egypt is the narrow strait, the containment. The Cities of the Plain are the drowning and the burning. Together they named the Abyss, Hades, the realm of Spiritual Death.
Both Moses and Jesus must be called out of Egypt before their work can begin. The resurrection is not a corpse walking out of a cave for the comfort of literalists, it's the vernal equinox, breaking of bonds, the return from detriment to exaltation.
The Clergy who deny the cosmic scripture preach a fable and call it faith. The heavens have already spoken.
The people of truth have only repeated them.
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The synonymous relationship between the House of #Libra & the Torah stories of #Egypt is rooted in their shared themes of justice, balance, & judgment. The symbolism of the scales, the concept of divine reckoning, and the emphasis on moral evaluation connect these ancient narratives to the celestial representation of Libra. Exploring this fascinating intersection allows us to appreciate the rich layers of meaning embedded within both religious mythology and astrological symbolism. The Ancient name of Egypt being kHemet, the Torah has, ΧΧ¦Χ¨ΧΧ, MTsRYM, from the etymology of Libra, ΧΧΧΧ ΧΧΧ.
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We are told that the Canaanites were a people so real, they could've been your next door neighbors. But lo and behold, no one, not one soul, has ever claimed the title 'Canaanite' with pride or in census.
Genesis 10:15-19 speaks of Canaan, son of Ham, fathering a lineage, βas the starsβ. Yet, where are these descendants? 'And the border of the Canaanites was from Sidon, as thou comest to Gerar, unto Gaza; as thou goest, unto Sodom, and Gomorrah, and Admah, and Zeboim, even unto Lasha.' But where, pray tell, is this border now?
We're dressing up sacred scripture in the guise of history, like putting a wig on a bald man and calling him Samson. The Canaanites, if they ever existed beyond the ink of ancient scrolls, have vanished into the mythos, leaving us with a faith that's more fiction than fact. Let us not mistake our holy stories for the annals of history, or we'll be forever lost in the land of make believe.
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#Libra, the Scales, divine justice and the price paid by our Redeemer. The constellation's and decans unveil truth.
#Lupus, the Victim, is Abel. In the New, it is Jesus. When their blood was spilt, an earthquake, on both occasions, symbolic of the equinox.Β
The #SouthernCross, the cross of Jesus. In the Old, the mark of Cain. the letter Teth, translated Tau. The Cross, an instrument of redemption, "He himself bore our sins in his body on the tree". Libra, the sign of the scales, judgment, as of Sodom and Gomorrah, and in the New, trial of the anointed, "Their bodies will lie in the public square of the great city, which is figuratively called Sodom and Egypt, where ALSO their Lord was crucified."
#Corona, the Crown, His victory, as Revelation declares, "On his head are many crowns."
Look not for a wandering Jew by Jacobβs well, but for the Sun himself at the horizon, where Virgo the Virgin stands with #Libra the Balance!
There, the woman of Sa-Maria, that is Mary and the emblem of the Egyptian sailors, she draws from the well that is not a well on earth but the very sign of the Scales.
Five husbands she had, granted after she prayed in the unison of five, the five points of the celestial figure, the five months of her longing till the Sun should meet her.
And what saith this Jesus? βI will give thee living water.β Not the dead puddle of priestcraft, but the waters that flow from under the ecliptic! He is the Sun, offering redemption as he rises, acceptance as he crosses the line of the Balance, spiritual nourishment as he pours his rays upon the thirsty earth. The woman of Virgo drinks and is no more barren; the well of Libra is filled; the horizon blazes.
The gospel is written in the heavens, and only fools read it as history. Amun, and a fig for the bishops!
The Word itself cries out:
βI am a worm, and no man!β
Not the common maggot, rimmah, but tolaΚΏat. The name of the scarlet worm, the tolaΚΏat shani that dyed the Tabernacle curtains and the high priestβs robes.
Now, the Kermes!
That little scale insect clings to the oak, fastens herself to the wood, lays down her life so her young may live, and in dying pours the crimson stain. Welded to the tree, her blood becomes the dye of atonement.
Archaeology even found a three thousand eight hundred years, the same scarlet insect dye, on a desert cloth.
And look to the Torahβs very heart!
The scribes counted every letter, three hundred four thousand eight hundred and five, and they marked the center with an oversized vav in gachon, βbelly,β the word of the crawling thing. That vav is the nail, the hook, the peg driven through the middle, as the spear thrust at the center of the crucified body.
Aleph to Tav!
First to last, Alpha and Omega. Insert the nailβvavβand you have ot, Sign/Star. The First and the Last joined by the Nail for completion.
The worm on the wood, the nail in the center of the Law, the Sign that spans beginning and end, every letter, every creature, every drop of scarlet points to the same wounded Heart.
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The Sun has entered the first face of #Libra, the scales of divine order, yet ΧΧ¦Χ¨ΧΧ, MTzRYM, named 681 times in the Torah, is veiled as #Egypt, the celestial Libra.βYHWH hath mingled a perverse spirit in the midst thereof; and they have caused Egypt to err in every work thereof, as a drunken man staggereth in his vomitβ Isaiah 19:14. This confusion and judgment is Libraβs scales, weighing truth against folly in the heavensβ court. These are not tales of earthly lands, but of the cosmos, βwhich declare the glory of Elβ Psalm 19:1. Monks cloaked these starry truths as sacred, secret, yet the simple read them as mere flesh. Awake, for βthe heavens ruleβ Daniel 4:26. πβοΈ
Isaiah 19:3 and 19:14 portray Egypt in turmoil, with failed counsel and a βperverse spiritβ causing error, likened to a drunkardβs stagger. This is Libraβs astronomical symbolism of balance and judgment, where divine reckoning tips the scales, exposing folly. The celestial narrative, mistaken as earthly, reveals the cosmic truth of divine order.
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The Sun, 25Β° of #Virgo. The most prominent Star in the house, the brilliant Arcturus of many colors. Conversely, In the biblical narrative, Jacob's gift of the "coat of many colors" to Joseph represents his special favor and divine blessing. By drawing a connection between this coat and the star Arcturus, we uncover a fascinating parallel in the many colors symbolism. This interpretation deepens our understanding of the story's esoteric meaning and highlights the profound significance of the βMany Colorsβ.
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The Sun, enters the third face of the tabernacle of #Virgo, 22Β°. The last Decan we can find in the Odyssey, written 3,000 years ago, as #BoΓΆtes. It has been variously derived from Bous, Ox, to drive, and so we have the Wagoner of the Wain. The Coming of, BΓ΄β, ΧΦΌΧΧ. Over 2,000 occurrences in the Torah.
Those who still creep to pulpits for your daily crumb! The priest have sold you a village in the dust of the Earth, and called it holy. Bethlehem, Beth- Lechem House of Bread,
Virgo standing in the heavens with the Golden Ear. That ear is Spica. That ear is the bread of the world. Look up, not down! Spica is Eden, the abode of life, the garden that never needed a flaming sword because it never left the sky.
The Akkadian scribes named it Emuku Tin-tir-Ki, βThe Might of the Abode of Life,β and Tin-tir is Babylon, the Seat of Life, before any scribe ever wrote βBabelβ as a curse.
Babylon in The Good Book isnβt a brick pile by the Euphrates; it is this same virgin house of wheat, the celestial granary from which every later βhouse of breadβ was stolen. The priests hid the ear of corn behind a manger. They turned the Abode of Life into a tax town and the mighty seat into a whore they could stone on paper. Tear the veil! The only Bethlehem that ever fed the nations hangs tonight in Virgoβs fist. The wheat star is in heaven while you keep chewing the wafer they baked from your ignorance.
The heavens still speak. The priests still lie.
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The Sun, in the Second Face of the Tabernacle of Bethulah, #Virgo at 18Β°. The three Decanβs provide a comprehensive understanding of the multifaceted nature of Bethulah. The Decan Chemdah (H2530) helps with the understanding of the βDesiredβ as Asham and Baza, the dual, Desired with Despised. Thus the allegorical birth of βtwo Nationsβ. Esau, red and hairy, despised, his birthright to Jacob, a flawless man.
From the dawn of civilization the heavens have been the only true scripture, and every mythology that ever crawled upon the earth is the priestly theft of those starry letters.
Enki stands as MUL.GU.LA, βThe Great Oneβ-Aquarius pouring his waters from the sky;
Gula the healer rides the Goat that we call -Lyra;
The Sebettu, blaze as MUL.MUL, -the Pleiades;
Pabilsag strides as -Sagittarius;
Shala furrows -Virgo;
Ningishzida coils through -Hydra;
Dumuzi the Hired Man treads -Aries.
Ninurta himself is the Constant Star, bibbu kayamΔnu, KayamΔnu, Kewan -Saturn, whose scythe never rusts. MUL marks the object in heaven; the god is merely the name men gave the object.
There is no mystery left once the veil of priestcraft is torn away. Look at the Akkadian cylinder VA/243, created four thousand three hundred years before our vulgar era. Its inscription names only officials, yet its symbols scream the truth: the star of Ninurta, whom the Hebrew Bible itself still whispers as Sakkuth and Kewan, sits as the symbol at the top of the seal, with Saturnβs own scythe in front of the seated god. This is a Saturnian seal, nothing less.
The same Ninurta whose star Amos still names in his fifth chapter.
And what did the kings of those days do? They kept the Sabbatu on the seventh, fourteenth, twenty-first and twenty-eighth days of the lunar month: they would not ride in a chariot, they would not eat cooked or luxury meat, they would not change their clothes, they would not exercise royal speech nor approach the altar.
The MUL.APIN catalogue and the DINGIR determinative that prefixes every god-name are one and the same confession: the gods are stars, the stars are gods, and every later gospel and testament are only a later theft of the same celestial ledger. The heavens declared the glory long before any synagogue or church was built to hide it. Let the priests rage; the sky still speaks.
Follow the mythologies of the year in the Heavenly cycle, or build synagogues and churches on the ground.
The visible heavens, the only scriptures the priests have not interpolated.
The Sun, the ever living God, is in the 15Β° of the tabernacle of Virgo, Bethulah, ΧΦΌΧͺΧΦΌΧΧ. This Hebrew name is not a fleshly maiden of Nazar-eth, (The Branch in Hand) but a celestial hieroglyph of the ancient astro-theology.
Virgo Paritura, the fire virgin of the Zodiac, whose form is made from the bright stars. She is the Virgin that shall bring forth, not by the manner of women, but because it is physically the season when the Sun in her house ripens the harvest. Spica, the ear of wheat in her other hand, proclaims it. Her purity is the purity of the starry fires, her fruitfulness is the bounty of August.
The priests turned this picture in words into a biography, so they could rob men of their senses. I have swept the stable of that superstition. Worship not the name, but the Sun in the tabernacle of Bethulah.
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Occult Utopia Of Jewish Golden Age
"The Jews turn to the most traditional of all traditions in Judaism, witchcraft"
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The occurrences of #Virgo, "Bethulah", throughout the Bible demonstrate itβs significance in conveying important theological messages. Symbolizing purity, innocence, and a miraculous nature of a virgin birth. The consistent usage of Bethulah (33 times) throughout the scriptures further strengthens itβs theological significance and reinforces itβs role in conveying the divine messages of the heavenly bodies in motion.


























