She wears this all the time because she dreams of flying in a Tesla. Made with Seedance 2.5 on @makeugc Prompt: Create a 17-second photorealistic late-night talk-show scene in horizontal 16:9 format using the four attached references. All spoken dialogue must be in English. REFERENCE PRIORITY Image 1: opening composition, studio, furniture placement and character positions. Adapt the framing to 16:9 by extending the studio naturally on both sides, without stretching the image or cropping either character. Image 2: male host’s face, hairstyle and clothing. Image 3: adult female guest’s face, copper-red hairstyle, glasses, red dress and necklace. Image 4: exact design of the small gold pendant shaped like Elon Musk’s head. Preserve both characters’ identities throughout. Elon Musk appears ONLY as the miniature pendant, never as a person in the studio. FORMAT AND VISUAL STYLE Horizontal 16:9 throughout. No vertical framing, black bars or aspect-ratio changes. An old television broadcast from the late 1990s: slightly soft standard-definition detail, subtle analog video noise, restrained colors, warm studio lighting and a blue nighttime city backdrop. Preserve this archival television texture within the 16:9 frame. Avoid modern cinematic grading, glossy commercial lighting and excessive VHS distortion. Faces and pendant must remain readable. TIMELINE — EXACTLY 17 SECONDS 0.0–3.0 seconds: Begin with the scene from Image 1, reframed naturally into 16:9. A steady two-shot shows the host and guest seated, looking at each other. The host notices her necklace, shifts his eyes toward the pendant and asks with natural curiosity: HOST: “What’s that you’re wearing?” The guest follows his gaze and gives a small welcoming smile. 3.0–6.0 seconds: Keep the action visible in the two-shot. The host rises from his chair and moves toward the guest around the nearest open end of the desk. He bends at the waist to inspect the pendant closely. The guest remains seated and slightly raises her chin. He carefully slides his left hand, palm facing upward, beneath the pendant and lifts it only a few centimeters. The pendant settles onto his open palm, still attached to the necklace around her neck. The chain remains loose. His attention stays on the jewelry. 6.0–8.5 seconds: Cut to a tight jewelry detail shot, maintaining 16:9. The tiny sculpted gold head rests face-up on the host’s open left palm. Its shape and facial details match Image 4 exactly. The attached chain remains visible, leading back toward the guest’s neck. The host’s curious face is visible close behind and to the side of his palm. GUEST: “It’s a pendant shaped like Elon Musk’s head.” 8.5–10.5 seconds: Cut to a medium two-shot from the same side of the scene. The host remains standing and leaning beside the seated guest, still supporting the pendant in the SAME left palm. He looks up from the pendant toward her face. HOST: “Why do you wear it?” 10.5–15.0 seconds: Hold the medium two-shot. The guest looks at him with a sincere, dreamy smile and says: GUEST: “Because he’s my idol, and I want to fly in a Tesla!” She means “fly” literally; do not replace it with “drive” or “ride.” The host listens without interrupting. He keeps his hand still, supporting the pendant without pulling the chain. 15.0–17.0 seconds: A brief comic pause. The host slowly turns his head toward the camera with raised eyebrows and a puzzled, deadpan expression. The guest smiles proudly. A short burst of studio audience laughter begins after her final word. End on their reactions, with the pendant still resting on his palm. AUDIO English dialogue only. Speak exactly the four specified lines, in the exact order, with natural conversational delivery and accurate English lip synchronization. One speaker at a time. Conversational male host voice; warm, sincere female guest voice. Subtle studio room tone, quiet chair and clothing movement. Audience laughter only during the final two seconds. No music, narration, translations or additional dialogue. CONTINUITY AND PHYSICS Exactly two people. Keep faces, hairstyles, glasses, clothes and studio layout unchanged. The host begins seated, stands once, and remains standing afterward. The guest remains seated throughout. Show the host’s movement before cutting to the pendant; no teleportation or movement through the desk. Keep both heads within the frame during the standing and leaning movement. The pendant stays attached to the same chain around her neck throughout. One pendant only, constant miniature size, rigid gold material, no morphing or animation. The host supports it with his LEFT palm in every shot. Five natural fingers; no fused hands or fingers. Keep the chain slack and the pendant close to its original hanging position. Preserve screen direction and matching hand positions across cuts. The focus is the jewelry, dialogue and facial reactions. No subtitles, captions, logos or watermarks.

Parking a Tesla Roadster is no longer a problem Made with Seedance 2.5 on @makeugc PROMPT: Create a 30-second, HORIZONTAL 16:9 ultra-realistic live-action comedy on a tree-lined American residential street. TWO drivers compete for ONE remaining parking space: a smug man in a black BMW takes it first, but a blonde woman in a silver Tesla uses downward thrusters to lift her car and park directly ON TOP OF his BMW. End with his stunned reaction and her smiling punchline. REFERENCE ASSIGNMENT REFERENCE IMAGE 1 — TESLA DRIVER: Use this image for the blonde woman's facial identity, hair, visible clothing, and necklace. She drives the Tesla. REFERENCE IMAGE 2 — BMW DRIVER: Use this image for the man's facial identity, pointed ears, gold tooth, blonde braids, black cap, and black hoodie. He drives the BMW. His hands hold no tray or food container. REFERENCE IMAGE 3 — TESLA: Use this image for the silver Tesla's exact exterior design, proportions, wheels, glass canopy, body panels, rear light bar, and rear nozzles. If it is a collage, its panels show different views of ONE car, not multiple cars. REFERENCE IMAGE 4 — LOCATION: Use this image for the American street, brick apartment building, trees, sidewalk, parked vehicles, and the ONE empty parking bay. Keep these assignments separate. Do not swap the drivers, transfer facial features between them, or use the portrait backgrounds as the location. MAIN SUBJECT TESLA DRIVER: An adult blonde woman matching REFERENCE IMAGE 1. Long, loose blonde hair with darker natural roots, a centre part, and soft, slightly tousled waves falling over her shoulders. Light blue eyes, naturally arched eyebrows, long eyelashes, an oval face, softly defined cheekbones, a straight nose, and full pink lips with subtle gloss. Warm, lightly tanned skin with natural texture and a gentle rosy flush across her cheeks. Minimal natural-looking makeup. Relaxed, confident expressions and a subtle, playful smile. She wears the SAME fitted white ribbed tank top with narrow shoulder straps and a scoop neckline, made from opaque fabric. A delicate silver necklace with a small round clear-stone pendant rests against her upper chest. Her long hair, white tank top, and necklace remain clearly recognisable in her close-ups. Do not add a jacket or change her outfit. BMW DRIVER: An adult man matching REFERENCE IMAGE 2. A broad face, fair skin with a slightly flushed complexion, hazel eyes, light eyebrows, short dark facial stubble, a prominent nose, distinctive pointed ears, and ONE visible gold upper front tooth. Bleached-blonde hair with a short fringe and TWO long braids hanging over his chest, secured with black hair ties and ending in loose blonde tufts. He wears the SAME faded black baseball cap with a curved brim and an upright tuft of blonde hair protruding through the top. He wears a loose black pullover hoodie made from thick, opaque cotton, with black drawstrings, ribbed cuffs, and a front kangaroo pocket. The hood rests behind his neck. His pointed ears resemble convincing practical prosthetics with realistic skin texture. Preserve his distinctive appearance without cartoon exaggeration. His expression begins cheeky and self-assured, then changes to wide-eyed disbelief. His hands operate the steering wheel naturally. No tray, takeaway container, food, or handheld prop. Both drivers remain in their original LEFT-HAND driver's seats, wearing seat belts throughout. VEHICLES: The Tesla matches REFERENCE IMAGE 3: silver-grey angular wedge-shaped body, low wide stance, dark glass canopy, sharp metallic body panels, dark wheels, continuous red rear light bar, and FOUR circular rear-facing nozzles. The downward lifting jets originate beneath the chassis. The FOUR rear-facing nozzles remain fixed and do not rotate or move. The BMW is ONE glossy black sedan with silver alloy wheels, a closed opaque metal roof, and American-format licence plates. Preserve both vehicles' models, dimensions, paint, wheels, interiors, and structural details throughout. LOCATION AND HEIGHT Match REFERENCE IMAGE 4 closely. An American residential street beside a red-brick apartment building with dark metal fire escapes, sash windows, a recessed entrance, black iron railings, concrete sidewalks, and mature leafy trees. Foreground: broad asphalt street, subtle cracks, scattered dry leaves. Middle ground: the marked parking row and its parked vehicles. Background: sidewalk, trees, railings, and the brick apartment building. EXACTLY ONE marked parking bay is empty. Every other bay is occupied. The empty bay fits ONE normal car only. Parked cars face nose-first toward the sidewalk, with their rear ends facing the street. Keep the space directly above the empty bay free of low branches or other obstacles. Both story vehicles approach the empty bay in the SAME direction along the street. The BMW is slightly ahead and nearer the parking row. The Tesla is slightly behind and alongside it. Both drivers can see the space and each other. After the BMW parks, the Tesla aligns behind it, facing the same sidewalk. During flight, the Tesla rises until its lowest point clears the BMW roof by approximately 0.5 metres BEFORE moving forward. CAMERA AND LOOK Photorealistic live-action comedy: natural skin, believable expressions, textured clothing, automotive glass reflections, metallic paint, rubber tyres, and visible vehicle weight. One consistent soft overcast afternoon. Natural colours, soft shadows, muted contrast, restrained handheld movement, faint sensor noise, and subtle autofocus adjustments. Keep the location geometry readable across cuts. Preserve the position of the empty bay, building, neighbouring parked cars, and trees. Facial close-ups retain recognisable location details through the windows. Use the exact shot lengths below. The short inserts show simple expressions or a pedal press; the complex flight receives ONE uninterrupted 10-second wide shot. During the flight, keep the complete Tesla, complete BMW, receiving roof, road, and neighbouring cars visible together. Never let vapour obscure the entire action. No glossy beauty lighting, artificial rim light, heavy grading, visible camera operator, or filming equipment reflected in glass. CONTINUOUS STORY 00:00–00:03 — ONE SPACE, TWO DRIVERS Wide three-quarter street view. Begin with BOTH cars already rolling slowly toward the ONE empty parking bay. The empty space is clearly visible between the parked cars, with the brick building and trees behind it. Both vehicles slow as their drivers notice the space. The BMW has a slight positional advantage. The Tesla stays slightly behind and alongside it. Establish enough separation for the BMW to turn without touching the Tesla. 00:03–00:05 — HIS SMUG SMILE Close-up through the BMW driver's side window. The reference man glances toward the blonde woman, then toward the empty bay. He gives a smug, competitive smile, briefly revealing his gold tooth. Keep his pointed ears, blonde braids, black cap, and upright hair tuft consistent with REFERENCE IMAGE 2. No dialogue. 00:05–00:06 — THE ACCELERATOR Tight close-up inside the BMW footwell. His RIGHT foot, wearing a plain black sneaker, presses the accelerator decisively. Show clear shoe-to-pedal contact and the pedal moving down. The engine rev rises immediately. 00:06–00:10 — HE TAKES THE SPACE Medium-wide exterior shot showing the BMW, the parking bay, and the waiting Tesla. The BMW surges forward with ONE brief tyre squeal and turns into the empty bay. Show the complete movement: accelerate, turn, straighten, brake, and stop fully between the white lines. No prolonged burnout or drifting. The BMW does not touch the adjacent cars. The BMW has now occupied the ONLY empty parking space. It stays stationary for the rest of the video. The Tesla waits in the street behind it. 00:10–00:15 — HER CONFIDENT ANSWER Close-up through the Tesla driver's side window. The blonde woman from REFERENCE IMAGE 1 looks toward the BMW and gives a small amused smile. Her long blonde hair, white ribbed tank top, and silver pendant match the reference. She says in natural AMERICAN ENGLISH: “I drive a Tesla. Parking’s not a problem anymore.” Accurate pronunciation and synchronised lip movement. Her delivery is relaxed, lightly teasing, and conversational. Complete the entire sentence before cutting to the flight. 00:15–00:25 — PARKING ON TOP ONE uninterrupted wide three-quarter exterior shot. Keep both cars and the surrounding parking row visible. The Tesla rolls a short distance forward and stops aligned directly behind the BMW. Dense WHITE VAPOUR PLUMES burst DOWNWARD from beneath the Tesla. These resemble condensation from powerful compressed-gas jets, not smoke from a fire. The jets hit the asphalt and spread outward in turbulent low clouds. Loose leaves scatter away. The Tesla lifts vertically. All FOUR tyres visibly leave the ground. Its body stays approximately level, with small stabilising corrections. FIRST, it rises until its lowest point clears the BMW roof. THEN, it moves forward over the stationary BMW. Maintain a clearly visible air gap during translation. The Tesla stops directly above the BMW, centred over it and facing the SAME direction. The jets soften as it descends slowly. Show ONE controlled physical landing: the Tesla's underside contacts the BMW's metal roof. The roof dents visibly under the load, and the BMW suspension compresses. The Tesla wheels hang outside the narrower roof footprint. They do not penetrate windows or metal. This is an intentionally absurd fictional parking stunt presented with convincing weight and contact. Keep the BMW's passenger compartment intact and its driver unharmed. The Tesla settles into a stable resting position ON the BMW. ONLY AFTER contact and settling, the downward jets switch off. Residual white vapour disperses, clearly revealing TWO stacked cars occupying ONE parking bay. Do not cut between jet activation, takeoff, forward translation, descent, contact, and settling. 00:25–00:27 — HIS SHOCK Close-up through the BMW driver's side window. The man hears the metal creak and looks upward. His eyes become very wide. His mouth drops open, revealing the same gold tooth. His smug smile is gone. Keep his face recognisable and his expression human, without distorted eyes or stretched features. He remains seated, unharmed, and silent. 00:27–00:30 — HER FINAL LINE Close-up of the blonde woman in the stationary Tesla. From her elevated position, the brick building and fire escape appear through the opposite window at the appropriate height. She glances slightly downward toward the BMW driver's side, smiles with quiet satisfaction, and says in AMERICAN ENGLISH: “Told you.” Accurate lip synchronisation. Hold her amused smile through the final moment. Cut exactly at 30 seconds. SOUND Natural diegetic sound only. Quiet American residential street ambience: distant traffic, a light breeze, moving leaves, tyres on asphalt, and subtle vehicle interior sounds. The BMW pedal press produces an immediate engine rev. Its acceleration includes ONE brief tyre squeal, followed by tyre movement and braking. Keep the woman's first sentence clear and complete BEFORE the thrusters start. During flight: forceful compressed-gas hissing, short stabilising pulses, turbulent air, and leaves scraping across the road. During contact: a controlled metallic roof creak, suspension compression, and a brief interior rattle. No explosive crash or shattering glass. After the jets stop, return to quiet street ambience for his shocked reaction and her punchline. The blonde woman speaks BOTH lines in the SAME natural American English voice. The man does not speak. No music, narration, laugh track, cartoon effects, or added audience laughter. ESSENTIAL CONTINUITY REFERENCE 1 defines the Tesla driver. REFERENCE 2 defines the BMW driver. REFERENCE 3 defines the Tesla. REFERENCE 4 defines the location. Never mix these assignments. EXACTLY TWO competing drivers and TWO moving vehicles. Drivers never exchange cars, seats, faces, voices, or outfits. Both vehicles remain left-hand drive. Both drivers remain seated and belted throughout. Preserve the woman's blue eyes, facial identity, long blonde hair with darker roots, centre part, white ribbed tank top, and silver pendant. No jacket, shortened hair, or replacement jewellery. Preserve the man's face, hazel eyes, pointed ears, ONE gold upper tooth, facial stubble, TWO blonde braids, black ties, black cap, upright hair tuft, and black hoodie. No tray or takeaway container. Preserve natural anatomy and stable facial features during all expressions. There is ONE initially empty parking bay. The BMW takes it first. No additional empty space appears. The location remains the SAME American street from REFERENCE 4. Preserve its building, trees, sidewalk, parking lines, and neighbouring vehicles across every shot. Maintain this exact causal order: arrival → smug smile → accelerator press → BMW parks → woman speaks → Tesla aligns → jets activate → vertical lift → roof clearance → forward translation → descent → contact → roof deformation and suspension compression → stable rest → jets stop → man's shock → woman's punchline. The BMW finishes parking before the woman speaks. It remains stationary during the entire flight and landing. The Tesla reaches sufficient clearance BEFORE moving forward. Neither vehicle passes through the other. Show the ENTIRE flight and landing in ONE continuous wide shot. Vapour must never hide a missing movement, teleportation, or substituted landing. The Tesla finishes physically resting ON the dented BMW roof. Do not replace this with hovering, landing beside the BMW, landing on the road, or landing on a separate platform. Roof deformation begins ONLY when contact occurs and remains visible afterward. Keep the BMW cabin intact and the driver unharmed. All wheels, doors, windows, nozzles, and body panels remain attached. Cars do not merge, shrink, stretch, or change models. The FOUR rear-facing Tesla nozzles stay fixed. The downward lifting jets originate beneath the chassis. Both stacked cars face the SAME direction. Keep lighting, weather, materials, vehicle scale, and screen geography consistent. The first spoken line is EXACTLY: “I drive a Tesla. Parking’s not a problem anymore.” The final spoken line is EXACTLY: “Told you.” Both lines are spoken by the blonde woman in American English with accurate lip synchronisation. No other dialogue and no subtitles. No repeated attempts, slow motion, teleportation, duplicated people, changing outfits, CGI appearance, captions, subtitles, scoreboard overlays, watermarks, recording interface.

The Lord of the Rings cut you'll never see on Netflix Seedance 2.5 on @makeugc HOLY SH*T🤬 Claude and Seedance teamed up and refused to make me the original 1950s-style version. Every attempt failed, so I gave up and went with theirs. CAN SOMEONE EXPLAIN WHY THE FIRST VERSION WORKED OUT, BUT THEN CLAUDE AND SEEDANCE DECIDED NOT TO FINISH THE VIDEO IN THAT FORMAT? What tricks do you use for parodies of iconic films?