Meet BARNEY 💚 A crocodile who just wants to clock out without biting a single customer. He’ll be SOON with new stories, teaching us that suppressing our primal urges is the only real way to survive

Here are a few seconds from the new episode. What do you think will happen? 🪄

Some palettes have a season 🍁 --sref 3010609543 2274555693 1357157080

Trying out Minimax Design. 💼 Prompt + 7 Midjourney references: Create a handcrafted motion design with a tactile painted feel: gouache, acrylic, ink, paper grain, brush texture, and collage-like layered depth. The visual language should stay graphic and legible while moving through hypnotic seamless transitions. Every image must fuse into the next in a coherent forward direction, never reversing the bicycle, runner, or walking figure, and never breaking spatial logic. Use fast but fluid cuts, object handoffs, overlap wipes, shape morphs, and rhythmic motion that feels musical and groovy. Preserve the reference vocabulary of flowers, clocks, desks, papers, laptop, commute energy, and return-to-routine momentum. Integrate the text BACK TO WORK in a handmade / painted type treatment that feels embedded in the artwork, not overlaid. @Hailuo_AI  #MiniMaxDesign

The Hidden Glam 💎 --sref 2869599498::0.5 3911500583

Trying out Minimax Design. Part II. 📅 Prompt + 7 Midjourney references: Create a design motion graphics piece, with sound generated natively synced to the visuals. MEDIUM. Two-plate riso print on cream stock: kelly green plate, vermilion orange plate, black halftone imagery. Visible paper grain, coarse dot screens, hard offset shadows. Flat printed colour, no gradients, no gloss, no volume. EFFECTS LAYER — present in every shot, not just at cuts. Small graphic marks punctuate the beat: radiating ink-splatter bursts, short hand-drawn speed lines trailing behind moving objects, a scatter of paper dust drifting across the frame, halftone dots gently breathing in size. These are brief accents, not scene changes — they appear, hold a beat, fade into the print texture. KINETIC TYPE RULE. Headlines never stamp in as a finished block. Each letter arrives on its own beat, landing with a small bounce or rotation before settling into line, condensed grotesque, all caps. Annotations are drawn stroke by stroke in orange marker, visibly in progress. MOTION-INSIDE-THE-FRAME RULE. Nothing holds as a dead still image. While a shot lasts, something in it keeps moving: grain shimmering, an effects-layer accent firing, a secondary element drifting at a different speed than the main subject. Only the final beat comes to full rest. SOURCE RULE. Draw units from the attached images in rotation across the three shots; use any internal repetition already in an image as the array. [cut] A subject fills the frame and multiplies into a short diagonal row, each copy landing with an ink-splatter burst. Letters of "VACATION MODE" land one by one along the top edge, each with a small bounce. Beneath, marker draws "has left the chat" stroke by stroke. Speed lines trail off the last copy as it settles. [cut] The row swaps to the next attached image, dust drifting across as it does. Letters of "TAN LINES" land one by one; a drawn arrow, stroke by stroke, carries into "DEADLINES" landing letter by letter at its tip. Halftone dots breathe throughout. [cut] The array pulls back into a dense field of a third attached image, ink bursts firing at three points as it resolves. "CTRL + ALT + LEARN" lands letter by letter across it. The whole field then converges into one subject, green bars fill left to right beneath, "BRAINS: LOADING…" types on. Bars stop short of full. Only here does everything finally hold still. MUSIC. Dry percussive groove — paper hits, stamp, marker squeak — synced tightly to each letter landing and each ink-splatter accent, one clear peak on the final convergence. No fades, no dissolves, no motion blur, no warping, no morphing, no collage layouts, no dead static holds before the final shot, no brand logos. @Hailuo_AI #MiniMaxDesign