Afev (@Afevv) header
Afev (@Afevv) profile picture

Music Journalist

London / Ibiza
Joined June 2010
Photo by Afev (@Afevv)Photo by Afev (@Afevv)Photo by Afev (@Afevv)Photo by Afev (@Afevv)Photo by Afev (@Afevv)Photo by Afev (@Afevv)Photo by Afev (@Afevv)Photo by Afev (@Afevv)
Sneak peek of my upcoming article about @fabriclondon Yesterday, Villalobos "couldn't make it", but Craig Richards and Sonja Moonear seamlessly filled the gap. The set was absolutely brilliant.
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Simultaneously spinning on a rotary mixer between vinyl and CDs in an unforgettable b2b set. Special mention to Sonja for her remarkable 7 hour performance, stepping in for Ricardo.
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Her professionalism is undeniable, and the humble team behind her make her a gem for promoters in need.
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AI progress in music production urges us to engage in dialogue with various experts: copyright lawyers, record labels, distributors, platforms... Everyone's voice matters in the industry's biggest debate since Napster. @IMSibiza is a nice space for this dialogue. #IMS #AI
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Adhering to certain standards as a DJ when dealing with people trying to help you, such as journalists, publicists, or photographers, doesn't make you any less of an artist or less underground. The lack of standards only makes you unprofessional and difficult to work with.
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Wondering why @roisinmurphy never included the Ashley Beedle Remix on the single of "If we're in Love" alongside Matthew Herbert's and Dani Siciliano's ones. Had a nice funk vibe. youtube.com/watch?v=L9ZLOXqL…
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It's a pleasure to discover great spanish underground music, as it's so hard to find it with the amount of promos out there. "Honey" by @_beatlove_ is one of those great records.
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Such coherence is evident even in the product aspect, with an amazing cover designed by Manji Fernández that looks even better pressed onto the vinyl. A very serious piece of work and a delight for the Spanish electronic music scene.
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After seeing 145 artists at the last @coachella , 20 at the @ultra in Miami, and having read the last three @IMSibiza reports, I've had some thoughts about the music industry. Some of them may be correct, while many of them may not be...👇
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Nevertheless, the data doesn't bode well for new talent. A study by @piratedotcomUK reveals the low presence of new talent at major festivals in the United Kingdom, and this trend seems to cross borders.
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In general, it seems that the recovery after the pandemic is returning to numbers similar to those of 2019, with the difference in the increase in costs between 2021 and 2022.
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