Let’s go niners!

Book me now!

Thank you, Colts. It’s about time you got rid of Chris Ballard. We’ve been waiting for this for a long time. Carly is at one bad ass boss bitch… who’s next?

So I made a post yesterday asking where would you like me to tour next year and I just want to make it that clear I’m looking for places where people want to book me not just places for me to visit actual bookings with money 💵 comment below ⬇️

In my personal experience, it’s always the clients who brag the MOST about their wealth and multimillion-dollar deals who NEVER tip. 😂 Meanwhile, the regular guys are the most generous—tipping, sending gifts, and showing genuine appreciation. Funny how the ones who talk the most about money are often the least generous with it. 💋

Yes yes yes 🙌🏼

This is great news! This should gave happened years ago!

Go check it out now

Thanks chap …

This was a fun scene with @mighty_dee10

I am starting to plan out my 2027 calendar. What cities should I tour next year? Comment below 🔽

Spoiled me

Catch me if you can…I still have some availability

It was a great day on set with @HotwivesofOC

Fun

Does the Adult Industry Have a Talent Problem or a Favoritism Problem? It’s pretty easy to criticize today’s performers when you’re already established and getting opportunities. But let’s stop blaming the talent and start questioning the people controlling who gets seen, who gets booked, and who gets recognized. Arabella Danger’s comments about the quality of performers today completely overlook a much bigger problem within this industry. The adult industry is completely oversaturated. More performers, fewer productions, and talented women struggling to get booked. There are some phenomenal performers out there who deserve opportunities, and yes, I’m including myself in that conversation. I’m experienced, professional, reliable, and passionate about my work. Yet that doesn’t guarantee a damn thing in today’s industry. So why do studios keep shooting the same 10 women? Why do so many come from the same agencies? And why do we keep seeing those same familiar faces winning awards? Seems awfully convenient, wouldn’t you agree? I’m not questioning whether those women are talented or deserving. I’m questioning why so many others never get the opportunity to prove themselves. And why do some major studios seem to work almost exclusively with certain agencies? If there’s a conflict between an agency and a production company, performers should be allowed to book themselves directly without fear of being penalized by their own representation. Agencies should be opening doors, not standing in front of them. We’re ALL here to work! Let’s stop pretending that getting booked makes someone a better performer. Popularity, connections, opportunity, and talent are four very different things. How can we discover the next generation of incredible performers when studios keep recycling the same faces? And how can anyone criticize the quality of today’s talent when so many talented people aren’t even being given a chance? Maybe the industry doesn’t have a talent problem. Maybe it has a gatekeeping problem. So I’ll leave you with this: Are we actually rewarding the best performers, or simply the ones who have the right connections and the most opportunities?

Check out my latest interview🩷

I agree!