ACES has joined @AcademySwf!
This channel will be sunsetted soon. Please stay involved with ACES here:
ACESCentral: bit.ly/4m5Jnjs
Slack: bit.ly/4m5Pq7R
More info: bit.ly/4ngJGsM
ACES is excited to be at Cine Gear Expo in LA June 7-8, 2024! Please stop by our “ACES Lounge” on the Warner Bros. backlot: Booth L622
Free registration until May 28th with this link: cinegearexpo.com/la-expo/reg…
@cinegearexpo #2024CineGearExpoLA #AcademyACES
Join us today at NAB for this amazing panel of filmmakers talking about their experiences with ACES. Create Theater SU4087
@AcademyACES #AcademyACES #NABshow #colorcorrection
#filmmaking #VFX
nab24.mapyourshow.com/8_0/se…
Academy ACES retweeted
Ok, so that’s great! I just saw the fantastic @cg4cg demo a new feature arriving in #AfterEffects beta soon: finally, native ACES support is coming to AE ♠️❤️🤯
Yes!! @AdobeVideo #IBC2022
Join us today at 10:40am PT (Los Angeles/Las Vegas time) as we talk ACES with colorists at the Virtually Vegas Colorist Mixer '22
register ($10): aces.mp/ClrMxr22
@coloristmixer #colorist #colorcorrection #AcademyACES
ACES Logo Program Task Force Mtg - this Tues, 4/5/22 9:30a PDT
Goal: recommend changes to the ACES Logo Program. All welcome but very helpful for current & potential ACES Product Partners, & facilities that provide DI, VFX, dailies, mastering.
Info: aces.mp/TskFce
Lots of 'colorful' conversation at @HPAonline Tech Retreat next week. Our ACES Roundup will give past/future dev progress + important announcements. Other talks from community members feature ACES + color best practices! See you there or on acescentral.com for updates!
Fantastic! Feedback like this is why so many people contribute to ACES development to make ACES more useful and even easier to use. Please...start a thread in the VFX section of community.acescentral.com/ and tell us more details!
Steve T, ACES Adoption Lead #vfx #AcademyACES
Once again @AcademyACES has been our favorite choice for this VFX heavy project and the color pipeline was robust! We found it much easier to discover the movie’s visual language thanks to ACES color accuracy! Congratulations to our great dop @hamid_khozouie
From all of us on the ACES team...we wish everyone a happy and healthy holidays and 2022!
See you on ACESCentral.com!
#AcademyACES #happyholidays #newyear
StEM2 uses ACES through the entire pipeline!
“The Mission,” a professionally produced short film for the StEM2 initiative, emulates a high-end movie and is designed to test exhibition and streaming systems, displays, and image-processing tools.
More info: theasc.com/news/stem2
Fantastic video on the benefits of color management from @netflix including a discussion on how ACES helps to standardize color management
You can find it here youtube.com/watch?v=vdmFjFoE…
and on the ACES YouTube page: aces.mp/ACESYoutube
#AcademyACES
Some of the many shows that chose ACES in 2021
Shang-Chi and the Legend of the Ten Rings, Wrath of Man, F9, Black Widow, American Horror Story SE10, Space Jam: A New Legacy, Cyrano, Sex Education SE3, The Many Saints of Newark, WandaVision…full list: aces.mp/acesprod
Congrats Carol Payne, Matthias Scharfenberg & @nickshaw27 on today's Keynote "Scene-referred Gamut Compression in ACES" @ImagingOrg CIC conference; highlighting the work of the Gamut Mapping working group in ACES 1.3
CIC: aces.mp/cic2021
ACES 1.3: aces.mp/ACES1-3
Thanks to our ACES Product Partner @disguise_one for their support of ACES. If anyone whats to comment on their virtual production experiences with ACES, let's get a conversation going on ACESCentral!
community.acescentral.com/c/…
#virtualproduction #AcademyACES
Find us in the latest issue of the @BritishCine where we explore the road to colour confidence in virtual production with disguise and @AcademyACES.
Read more on pages 46-47: bit.ly/3kFpXW9
#createtogether #virtualproduction #ACES
OCIO enables so many programs and users to utilize the ACES system.
Thanks to everyone who has helped with OCIO development and to @AcademySwf for supporting this important project.
OpenColorIO 2.1.0: This release features support for the ACES 1.3 Gamut Compression algorithm, an initial set of OpenFX plug-ins, and installation of the Python bindings via pip install, among many other enhancements.
github.com/AcademySoftwareFo…
@AcademySwf @AcademyACES #opensource
Thanks To Shibbir and the team on #SexEducation S3 for this update and their continued use of #AcademyACES. Great also to see so many ACES Product Partners involved:
@SonyCine @DJIGlobal @pomfort @RED_Cinema
Replying to @Shibbir1
#SexEducation S3 was shot using @SonyCine Venice XOCN (And a bit of BETACam) + @RED_Cinema Komodo & Helium + @DJIGlobal Inspire + @ARRIChannel Alexa Mini. All offloaded via @pomfort #SilverstackXT & Graded using @AcademyACES in #DaVinciResolve16
Starting in one hour!
“Charting a Vibrant and Open Plan for ACES 2.0 and Beyond”
Free! Register here and bring your thoughts and questions on ACES 2.0 and future color management needs.
aces.mp/aswf21reg
Thanks to Netflix New Digital Backlot for posting two recent videos on ACES set-up and deliverables.
We've linked to them on the top of our ACES YouTube channel list of tutorials:
aces.mp/YTtutorial
ACES session at ASWF Open Source Days
10:15a – 10:55a (pt) • Thursday, Aug 5, 2021
“Charting a Vibrant and Open Plan for ACES 2.0 and Beyond”
Join and bring your thoughts/questions on ACES 2.0 and future color management needs!
Free if you register aces.mp/aswf21reg
Lots of great info from ACES Product Partner @disguise_one
Thanks for your support of ACES and helping spread the word!
Maintaining colour control is vital for achieving high-end production quality in VFX.
Read our blog for five things to consider when it comes to @AcademyACES and achieving colour consistency: web.disguise.one/3f34lQl
#xR #CreateTogether






















