A.C. Miller (@ACMillerAuthor) header
A.C. Miller (@ACMillerAuthor) profile picture

Author. Cinephile. Lover of sandwiches and everything vintage.

Rick's Cafe
Joined June 2009
Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)Photo by A.C. Miller (@ACMillerAuthor)
What are some of your favorite films wherein you wish you could walk through the screen and onto the set?
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I thought the chairs were record players at first.
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#nw EYES OF THE UNDERWORLD ('42). #Noirvember
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This is what I'm getting everyone for Christmas this year. Ad from 1944.
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This is all I need for Christmas. Ad from the 1970 Sears Christmas Wish Book Catalogue.
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Anyone ever get or want monogrammed towels? Ad from 1949.
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Virginia Field in a promotional photo for REPEAT PERFORMANCE ('47). #Noirvember
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Gene Tierney on the set of The Razor’s Edge, 1946
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I'm stuck in a gelatinous hole.
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We don't have to though.
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While the ingredients on their own aren't the worst, together they are appalling.
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The further I get into season 4 of M*A*S*H, I'm really starting to see why everyone likes Col. Potter. Harry Morgan does a nice job of being different than McLean Stevenson was with Col. Blake while maintaining a likeable demeanor.
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Goodnight, Twitter, sleep tight! Hopefully, not this tight. Photo of James Cagney in WHITE HEAT ('49). #Noirvember
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Oh, the faces Joan could make.
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Really good Noir all around.
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Barbara Stanwyck, Van Heflin & Lizabeth Scott, photographed for “The Strange Love of Martha Ivers” (1946). #Noirvember
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Time for my first Noir of #Noirvember, A NIGHT OF ADVENTURE ('44).
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Finally time to catch up and check this one out! #nw
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There is a little overuse and reliance on AI for transition bits, unfortunately.
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I'm loving the interviews, the recordings of VP, and the videos of him, but this reliance on AI instead of authentic imagery is frustrating.
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