"Quick, I’m lucid." dep. ed., @filmmakermag
N. Y. City
Joined January 2011
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Maxwell Paparella retweeted
i interviewed THE Ngozi Onwurah about the making of 𝘞𝘦𝘭𝘤𝘰𝘮𝘦 𝘐𝘐 𝘵𝘩𝘦 𝘛𝘦𝘳𝘳𝘰𝘳𝘥𝘰𝘮𝘦, now playing @BAMfilmBrooklyn in a new 4K restoration c/o @janusfilms, for @FilmmakerMag - thanks @celizotte and @44getting for edits! filmmaker.substack.com/p/in-…
Maxwell Paparella retweeted
i’m on the latest episode of @NicolasRapold’s The Last Thing I Saw podcast with the thoughtful @44getting! great conversation!!!
podcasts.apple.com/us/podcas…
Maxwell Paparella retweeted
“He thinks, not for the first time, that he has chosen his profession poorly.”
On the early Soviet silents of Boris Barnet, some of which play this weekend at @Metrograph.
screenslate.com/articles/bor…
Maxwell Paparella retweeted
As @metrograph begins its Boris Barnet retrospective today, we have decided to make the first issue of Outskirts—with its extensive dossier of translations and texts on Barnet's films—available for free as a downloadable PDF.
Go to outskirtsmag.com/shop to download directly.
Maxwell Paparella retweeted
"[Lav] Diaz made only one take of each shot through his fixed frame, and each set-up is calibrated to convey a single idea. The result is a bracing semantic economy..."
Revisit Maxwell Paparella (@44getting) on MAGELLAN: mubi.com/notebook/posts/the-…
Maxwell Paparella retweeted
"As the mass-market American film industry continues to work itself through irrelevancy and into oblivion, it seems right that Knoxville would be the site of a renewed focus on a regional, independent American cinema, inviting those from outside the metropoles to put their visions of the country on the screen, so that we might see it more clearly."
Maxwell Paparella (@44getting) reports from Tennessee's Film Fest Knox: mubi.com/notebook/posts/new-…
Maxwell Paparella retweeted
Maxwell Paparella (@44getting) writes from the third edition of Film Fest Knox, a festival dedicated to showcasing American regional cinema.
mubi.com/en/notebook/posts/n…
Maxwell Paparella retweeted
I'm shocked—this is a tremendous honor.
February is Screen Slate's 15th anniversary. It's grown from a solo project to encompass the work of hundreds of contributors: editors, writers, devs, designers, listing updaters. Plus: the best readership on the planet.
Thank you @nyfcc
Maxwell Paparella retweeted
For @mubinotebook, I wrote about Paul Thomas Anderson's fascination with Thomas Pynchon, and the ways in which filmmaker and novelist, from INHERENT VICE to ONE BATTLE AFTER ANOTHER, mobilise a subversive nostalgia for the California they once knew: mubi.com/en/notebook/posts/i…
Maxwell Paparella retweeted
Que país é esse?
Rafaela Bassili (@sallyjaygorce) writes on Kleber Mendonça Filho’s THE SECRET AGENT, a film that "anthropophagizes the American paranoid thrillers of the 1970s to make something funny, sad, grotesque, beautiful, and truly Brazilian." mubi.com/en/notebook/posts/w…
Maxwell Paparella retweeted
"I am attracted to things; I think, yes, my films are probably very fetishistic."
spoke with Lucile Hadžihalilović for @MUBINotebook 🩵👑 mubi.com/en/notebook/posts/s…
Maxwell Paparella retweeted
I had a great kiki with Nathan "Lamar" Lee about The Hunger. mubi.com/en/notebook/posts/m…
Maxwell Paparella retweeted
“I don’t know if I fear for film criticism, but I fear for the state of publishing.”
With her new essay collection now available from @thefilmdesk, @MelissEAnderson looks back on 25 years of criticism in a new interview with Nathan Lee.
mubi.com/en/notebook/posts/m…
Maxwell Paparella retweeted
“This is what film festivals could be like, Petzold ventured: talking about cinema, talking about wood.”
on the 2025 Viennale, and how the festival and its films orientated themselves in relation to the world, for @MUBINotebook 🪵🌍 mubi.com/en/notebook/posts/w…
Maxwell Paparella retweeted
no-one thinks about experimental film aesthetics like Phil Coldiron -- "It would be naïve to imagine that art can do politics in any meaningful sense, but we might at least expect it to picture the world, clarifying or condensing or travestying or rejecting it"
Reporting on this year's NYFF Currents slate, Phil Coldiron explores how Radu Jude, Alexandre Koberidze, New Red Order, and others propose imagery to oppose the present. mubi.com/en/notebook/posts/y…
Maxwell Paparella retweeted
Edo Choi (@edogoesboating), Chloe Lizotte (@celizotte), Maxwell Paparella (@44getting), Elissa Suh (@oddbarnacles) and Keva York (@kevasyork) sit down to discuss DRACULA, the riotous latest film from Radu Jude: mubi.com/en/notebook/posts/v…
Maxwell Paparella retweeted
Reporting on this year's NYFF Currents slate, Phil Coldiron explores how Radu Jude, Alexandre Koberidze, New Red Order, and others propose imagery to oppose the present. mubi.com/en/notebook/posts/y…
Maxwell Paparella retweeted
This is terrific
A roundtable discussion on horror, comedy, vulgarity, and history in Radu Jude’s DRACULA, director latest maelstrom of artificial intelligence and nationalist myths — featuring @celizotte, @44getting, @edogoesboating, @oddbarnacles and @kevasyork.
mubi.com/en/notebook/posts/v…
