GM If you’re taking it slow this Sunday, I have two reads for you: my editorial on @esraeslen and my conversation with @suparno67 for The Collectors Chain I enjoyed working on both, and I’d love to hear your thoughts Links below ↓

GM 3 auctions are live. 10 more works are waiting for their first bid 👀 @esraeslen latest drop on NINFA brings together everyday life, internet nostalgia and the blurred boundaries between human and digital. Find the work that speaks to you and start its auction

Three auctions are live from Screens by @esraeslen on NINFA Current bids: • error://human — 0.1331 ETH by @deltasauce • Folder 13 — 0.1331 ETH by Dialeronphone • Still Online — 0.1331 ETH by @BASTIBOII_eth Thank you for supporting Esra and the collection! Ten more works are waiting for their first click. Spend some time with them, you might find yours

GM The Illusion of Access, part of the curated collection COHO by @kristophershinn 3 pieces already with bids 4 are waiting for the first one

Buying art on the primary market is about much more than simply acquiring a piece. Of course, you’re directly supporting an artist, believing in their vision, and becoming one of the first people to recognize the value of their work. That alone is something special. But there’s a bigger picture we don’t talk about enough. Every primary sale supports an entire ecosystem. It helps marketplaces keep operating, curators continue discovering and working closely with artists, and platforms invest time, resources, and energy into bringing new projects to life. Behind every collection, there are often months of conversations, research, creative direction, writing, promotion, and countless hours of work that most collectors never see. And here’s what I believe matters most: the stronger this ecosystem becomes, the more opportunities we can create for the next generation of artists. Every sale gives us the resources to discover new talent, take chances on emerging voices, and give artists who are still trying to find their place the opportunity to be seen, heard, and remembered. Because somewhere out there, there’s an artist with something important to say, someone who just needs the right people to believe in their work and help bring it into the world. That’s what we’re building towards. Not just selling art, but creating the conditions for more art to exist, more stories to be told, and more names to become part of art history. The secondary market has its place, of course. But a healthy art ecosystem cannot survive on speculation and the constant circulation of existing works alone. It needs new ideas, new artists, and people willing to support them from the beginning. Collecting on primary isn’t just about being early. It’s about making sure there’s a future worth collecting. And maybe the most exciting part of collecting isn’t owning a work by an artist everyone already knows, but being among the first to believe in a name the world will remember tomorrow.

GM @kristophershinn 's new drop on @Ninfa_io takes us aboard the Coho, into the quiet moments between destinations 🌊 Explore the collection and read my interview with Kris on film, solitude and the everyday scenes that make us stop and look ninfa.io/interview/A-convers…

GM III HIND by @num1crush

GM Excited to share THE LAST BATTLE, @num1crush 's new collection on @Ninfa_io ⚔️ Ancient myths meet childhood icons in twelve gloriously absurd battles. We talked nostalgia, meme culture and why there’s always another battle to fight. Read our conversation 👇 ninfa.io/interview/A-convers…

TOMORROW

GM 📡 Control tower to @Brodiesinc : fire up the engines. It’s mint day 📡 I’m already on board, acting calm while checking the clock every 30 seconds 😂 Grab your boarding pass, bro. In a few hours, we’re finally taking off🛫