2018 | https://xitter.cf/t.co/zchf86zoT5 | https://xitter.cf/t.co/HHtnX5C43Z | https://xitter.cf/t.co/KOwjjoHlZO
Joined December 2019
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Janne retweeted
Today’s selection of the daily autonomous exhibition at the grand museum.
Cryptoart from (‘18-‘20)
@untitledxyz_ @stina_jones @toxsam @hexeosis
Janne retweeted
Here's how secondary market royalties work on @SuperRare:
The first sale of an NFT on SuperRare is considered a primary sale and does not include a creator royalty.
The second sale on SuperRare, and every subsequent sale, is considered a secondary sale, with 10% of the sale price going to the original creator.
Wallet transfers and sales on other marketplaces don't count toward this distinction.
This is an automated, non-custodial system governed by smart contracts. These rules apply consistently to all transactions, without discretionary decisions by SuperRare.
Janne retweeted
Sometimes I get obsessed with other's artist work and I need to sell nfts only to buy other's pieces that you, blind collectors, do not see because you are blind.
Here's one of my treasures
A "selfie" done by a machine by Janne "Self portrait of a machine No3"
Link: next tweet
Janne retweeted
We celebrate Digital Art while I mourn #cryptoart its hundredth death.
For some, CryptoArt became a natural progression of digital art: reduced to an onchain link, a marketplace category for digital art, a new distribution layer. But those of us who were there in 2018–early 2020 know it was more than that.
CryptoArt was never merely a technological progression. It was artists refusing old gatekeepers, building outside established networks, and advocating for a decentralised and fairer art market. Some of us dedicated years of our lives to it.
Without CryptoArt, there would be no royalties. What became a battle on it’s own.
If you think we are living through dark ages for art, we are living through even darker ages when it comes to CryptoArt its principles have long been forgotten (who doesnt want their work shown in Moma ? Or be curated in any established gallery or show )
We need to realize there’s no place for cryptoart when it comes to these establishments there never was..
Real CryptoArt was never only a critique of institutions or centralised entities. For me, it became a way of living.
And this idea still lives just with a handful of people I know who out of necessity for survival either: had to leave this space, scale down or just simply just cater to the market place category: Digital Art
Janne retweeted
Something is cooking
and coming soon on @opensea
10k illustrated pfps on @RobinhoodCrypto
from the hands of a cryptoart OG @jivdontexist
Snapshot of the Collectors Whitelist has already
been taken, Give a follow for more updates in the coming days.
#NFT #robinhood
