Jew

London
Joined January 2009
Thanks to @thetimes for including this in TV to watch this Autumn.
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David Baddiel retweeted
You Can Eat Anything (by tommcgovern27 on IG)
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David Baddiel retweeted
I was completely fascinated by You Can See Everything, which evolves over the course of 3 hours from a documentary into something much stranger than that, less straightforward and vastly more beautiful. A gift link to my review at @thefp: thefp.com/p/did-nathan-field…
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Watching yesterday’s Traitors. Impressed with @JamesBlunt’s decision to dress like a character from The Royal Tenenbaums.
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Three hours incoming. And yet very much looking forward to it.
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It’s great. Primarily, it’s very very @nathanfielder.
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Great fat bastard work from Morwenna Banks. Whether she ever feels the need to use the phrase in her present personal life is a moot point I shall not be discussing.
The first edition of Alexei Sayle's Stuff was originally broadcast on this day in 1988.
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Wen and I are fairly convinced it's also her - and the great Felicity Montagu, Lynn in Partridge - as the two pretentious art critics in the tiny corner looking at the logo.
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David Baddiel retweeted
If you read one thing this evening, let it be this speech from Maurice Cohen, President of the Jewish Representative Council of Ireland about the Herbert Park Hotel. He poignantly describes how this hotel - once associated with friendship, celebration and his mother - has now, rather tragically, acquired a very different place in his memory. ‘…contemporary antisemitism does not always arrive wearing the language of the past. It does not always announce itself with a slur, a threat or a placard. Increasingly, it can present itself as a question, a precaution, a policy, a request for clarification. It begins by treating Jewish identity as evidence of political allegiance. It turns Jewish people into representatives of a foreign state, Jewish gatherings into security concerns, and ordinary acts of welcome into decisions requiring special permission. That is the danger of antisemitism today: not only that it excludes Jews, but that it makes their exclusion appear reasonable.’ ‘Seventy rooms had been booked. Seventy people had been welcomed as guests. The only thing that changed was what they were understood to be. That is not a minor administrative inconvenience. It is a warning. Antisemitism survives by changing its vocabulary while preserving its logic: Jews are treated as different, suspect and collectively responsible. The words may be new, but the message is old. You may enter as an individual, but once you are recognised as Jewish, the terms of welcome can change. And that is why we still have a long way to go in Ireland, the land of 100,000 thousand welcomes: because the test of a society is not whether it welcomes people before it knows who they are. The test is whether it continues to welcome them after it does. Yes, a long way to go in Ireland and The Herbert Park Hotel.’ Shame on Herbert Park Hotel. And shame on Ireland for enabling and cultivating this culture of antisemitic exclusion.
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David Baddiel retweeted
One of the stupidest jokes of all time. And yet, yet a stroke of genius
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David Baddiel retweeted
Today I've been writing a really sad chapter that made me cry several times, but every time I cried I pulled myself together and went back in to make sure it's exactly as sad as I need it to be, so I suppose Graham Greene had a point about the splinter of ice.
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David Baddiel retweeted
🚨 EXCL: Cole Palmer strengthens commitment to Chelsea by signing new contract until 2034. Adds 1yr to previous deal on improved terms; recognition of importance to #CFC. Continues drive to extend key men after James, Caicedo, Pedro & Neto @TheAthleticFC nytimes.com/athletic/7676818…
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Piece in @CosmopolitanUK about Hunting Alice Bell.
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Traitors is a brilliant demonstration of how in sway humans are to conspiracy theory and confirmation bias. Or to put it another way, how certain we are right when completely wrong.
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David Baddiel retweeted
Yo, dis prick Borat wiv an even bigger tache dan me Nan iz talkin smack bout me movie. Well check dis Borat, me only put u in me show back in de 20000s az a fool for people to laugh at in between me serious intraviews, so de joke iz on u innit. Ali G: Who Iz I in theaters October 23, One Weekend Only.
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The meaning of the phrase Jews Don’t Count is often misunderstood. It means: as a vulnerable minority. A minority that has suffered, like all minorities, extreme violence and discrimination. The assumption remains, despite history, that Jews are too powerful really to be seen in that way. Drawing attention to Jewish suffering is seen as only another example of their power, of Jews' ability to highlight their own suffering at the expense of others. Jews are not granted specificity in suffering: it must always be compared to the suffering of others, and found wanting. And if you want to see that in action, have a look at some of the responses on here - or no doubt, below this message - to the various attempts to commemorate one acute example of Jewish suffering, that took place three years ago today.
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Thanks to SkyDancer and many others for proving my point so assiduously.
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This by @emmanancycline is a masterpiece. It’s interesting that it failed to make the Booker shortlist. It’s not about a social issue. It’s - in the most focussed, absolute, wildly truth-telling way - about death, which also means life. It’s about something eternal. This might imply that art needn’t always be purely of the moment and political. Which I assume counts against it.
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I mean it *is* about a social issue: assisted-dying. But it's a social issue that is really an eternal one.
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