Taylor Grant retweeted
Sad to hear of the loss of Richard Riehle. ๐๐
The man who showed up in more films than most people have seen. Horror got him in Hatchet, Rob Zombieโs Halloween II, and Texas Chainsaw 3D. He never stole the room. He just made the room feel like it already had a body in it. That is the job. He did it four hundred times and still looked like he belonged in the next one.
Taylor Grant retweeted
Richard Riehle dead at 78. Read more: trib.al/81DXYHD
Taylor Grant retweeted
โ๐โ๐๐ก ๐ฆ๐๐ข ๐ก๐๐๐๐๐๐ก๐ ๐๐ ๐ ๐๐๐๐๐๐ ๐ก๐๐๐๐ฆ ๐ค๐๐๐ ๐๐๐ก๐๐๐๐ข๐๐ ๐๐ก๐ ๐๐๐ ๐๐ ๐ฆ๐๐ข๐ ๐๐๐๐๐๐ก๐ฆ ๐ก๐๐๐๐๐๐๐ค ๐๐๐ ๐๐๐๐๐๐ ๐ก๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐๐๐๐๐ฆ ๐๐๐ฃ๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐กโ๐๐ ๐๐ก ๐โ๐๐๐๐๐ , ๐คโ๐๐โ ๐๐ ๐คโ๐ฆ ๐กโ๐ ๐ค๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐ข๐๐๐๐๐๐๐๐๐ง๐๐๐๐ ๐กโ๐ ๐๐๐๐๐๐ก ๐กโ๐๐ฆ โ๐๐ฃ๐ ๐ ๐๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐ท๐ ๐๐๐ก ๐โ๐๐ ๐ ๐กโ๐ ๐๐๐๐๐๐ ๐คโ๐ ๐ค๐๐๐๐๐ ๐๐ค๐๐ฆ ๐ค๐๐กโ๐๐ข๐ก ๐๐ฅ๐๐๐๐๐๐ก๐๐๐; ๐กโ๐ ๐ ๐๐๐๐๐๐ ๐กโ๐๐ฆ ๐๐๐๐ก ๐๐โ๐๐๐ ๐ค๐๐ ๐กโ๐ ๐๐ฅ๐๐๐๐๐๐ก๐๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐ด ๐ ๐๐๐๐๐ โ๐๐๐๐ ๐ก ๐๐๐๐๐๐ ๐คโ๐ ๐ก๐๐๐๐ ๐ฆ๐๐ข ๐กโ๐ ๐ก๐๐ข๐กโ ๐๐ ๐ค๐๐๐กโ ๐๐๐๐ ๐กโ๐๐ ๐ ๐๐๐๐ค๐ ๐กโ๐๐ก ๐๐๐๐๐๐ข๐๐ ๐๐ฃ๐๐๐ฆ ๐๐๐ ๐ก๐๐๐ ๐ฆ๐๐ข ๐๐๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐ธ๐๐ ๐๐ ๐กโ๐ ๐๐๐๐ฆ ๐ค๐๐๐โ๐ก ๐กโ๐๐ก ๐๐๐ก๐ โ๐๐๐ฃ๐๐๐ ๐กโ๐ ๐๐๐๐ ๐ฆ๐๐ข ๐๐๐๐๐ฆ ๐๐ก ๐๐๐ ๐๐๐โ๐ก๐๐ ๐กโ๐ ๐๐๐๐๐๐ก ๐ฆ๐๐ข ๐๐๐๐๐๐๐ฆ ๐๐๐๐๐ก ๐ฆ๐๐ข ๐ค๐๐๐ ๐ค๐๐๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐โ๐ ๐๐๐๐ ๐คโ๐ ๐๐๐๐ฃ๐ ๐คโ๐๐ ๐กโ๐ ๐๐๐๐ ๐๐๐๐ ๐๐ข๐ก ๐ค๐๐๐ ๐๐๐ฃ๐๐ ๐ค๐๐๐๐๐ ๐๐ฆ ๐ฆ๐๐ข; ๐กโ๐๐ฆ ๐ค๐๐๐ ๐๐๐๐ฆ ๐ค๐๐๐๐๐ ๐๐ฆ ๐คโ๐๐ก ๐ฆ๐๐ข ๐ค๐๐๐ ๐๐ข๐๐๐๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
๐๐ฐ ๐ธ๐ฉ๐ข๐ต๐ฆ๐ท๐ฆ๐ณ ๐บ๐ฐ๐ถ ๐ธ๐ข๐ฏ๐ต, ๐ฃ๐ถ๐ต ๐ฏ๐ฆ๐ท๐ฆ๐ณ ๐ฑ๐ญ๐ข๐บ ๐ธ๐ช๐ต๐ฉ ๐ด๐ฐ๐ฎ๐ฆ๐ฐ๐ฏ๐ฆโ๐ด ๐ฆ๐ฎ๐ฐ๐ต๐ช๐ฐ๐ฏ๐ด ๐ฐ๐ณ ๐ธ๐ข๐ด๐ต๐ฆ ๐ต๐ฉ๐ฆ๐ช๐ณ ๐ต๐ช๐ฎ๐ฆ. ๐ ๐ฐ๐ถ ๐ฉ๐ข๐ท๐ฆ ๐ฏ๐ฐ ๐ช๐ฅ๐ฆ๐ข ๐ธ๐ฉ๐ข๐ต ๐บ๐ฐ๐ถ ๐ฎ๐ช๐จ๐ฉ๐ต ๐ฃ๐ฆ ๐ด๐ต๐ณ๐ช๐ฑ๐ฑ๐ช๐ฏ๐จ ๐ข๐ธ๐ข๐บ ๐ง๐ณ๐ฐ๐ฎ ๐ธ๐ช๐ต๐ฉ๐ช๐ฏ ๐ต๐ฉ๐ฆ๐ฎ. ๐๐ถ๐ณ๐ต๐ช๐ฏ๐จ ๐ด๐ฐ๐ฎ๐ฆ๐ฐ๐ฏ๐ฆโ๐ด ๐ฉ๐ฆ๐ข๐ณ๐ต ๐ฐ๐ณ ๐ด๐ฉ๐ข๐ต๐ต๐ฆ๐ณ๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ๐ช๐ณ ๐ต๐ณ๐ถ๐ด๐ต ๐ฎ๐ช๐จ๐ฉ๐ต ๐ฃ๐ฆ ๐ข ๐จ๐ข๐ฎ๐ฆ ๐ต๐ฐ ๐บ๐ฐ๐ถ, ๐ฃ๐ถ๐ต ๐ต๐ฉ๐ข๐ต ๐ท๐ฆ๐ณ๐บ ๐จ๐ข๐ฎ๐ฆ ๐ค๐ข๐ฏ ๐ธ๐ฆ๐ช๐จ๐ฉ ๐ฉ๐ฆ๐ข๐ท๐ช๐ฆ๐ณ ๐ต๐ฉ๐ข๐ฏ ๐ข ๐ญ๐ช๐ง๐ฆ๐ต๐ช๐ฎ๐ฆ ๐ฐ๐ง ๐ญ๐ฐ๐ท๐ฆ ๐ข๐ฏ๐ฅ ๐ต๐ณ๐ถ๐ด๐ต ๐ง๐ฐ๐ณ ๐ข๐ฏ๐ฐ๐ต๐ฉ๐ฆ๐ณ ๐ฑ๐ฆ๐ณ๐ด๐ฐ๐ฏ.
โ ๐๐ฐ๐ณ๐ฅ๐ด & ๐๐ช๐ด๐ฅ๐ฐ๐ฎ
Taylor Grant retweeted
โ๐๐๐ ๐ก ๐๐๐๐๐๐ก ๐๐๐๐๐ ๐๐๐ก ๐๐๐๐ ๐กโ๐ ๐กโ๐๐๐๐ ๐กโ๐๐ก โ๐ข๐๐ก ๐ข๐ , ๐๐ข๐ก ๐๐๐๐ ๐กโ๐ ๐๐๐๐๐๐ก๐ ๐ค๐ ๐ ๐๐ค ๐กโ๐ ๐ก๐๐ข๐กโ ๐๐๐๐๐๐๐ฆ ๐๐๐ ๐โ๐๐ ๐ ๐ก๐ ๐ ๐ก๐๐ฆ ๐๐๐ฆ๐ค๐๐ฆ.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐ฟ๐๐ฃ๐ ๐กโ๐๐ก โ๐๐ ๐ก๐ ๐๐ ๐โ๐๐ ๐๐ ๐ค๐๐ ๐๐๐ฃ๐๐ ๐๐ข๐๐๐๐๐ ๐ก๐๐ค๐๐๐ ๐ฆ๐๐ข; ๐๐ก ๐ค๐๐ ๐๐๐๐ฆ ๐ โ๐๐ค๐๐๐ ๐ฆ๐๐ข ๐คโ๐๐โ ๐๐๐๐๐๐ก๐๐๐ ๐๐ก ๐๐๐๐๐๐๐๐๐ ๐ก๐ ๐๐๐๐ฃ๐ ๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐โ๐ ๐๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐ ๐กโ๐๐ก ๐๐๐๐ค๐ ๐คโ๐๐ก๐๐ฃ๐๐ ๐ฆ๐๐ข ๐ค๐๐ก๐๐ ๐๐๐ ๐ก, ๐๐๐ ๐๐๐ ๐ก ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ค๐๐๐๐ ๐ค๐๐๐๐ ๐คโ๐๐๐ ๐ค๐๐๐๐๐๐๐๐ ๐คโ๐ฆ ๐๐๐กโ๐๐๐ ๐๐๐๐๐๐ .โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
โ๐๐๐ข ๐๐ ๐๐๐ก ๐๐ค๐ ๐ฆ๐๐ข๐ ๐๐๐๐ ๐๐๐๐ ๐ก๐ ๐๐๐๐๐๐ ๐คโ๐ ๐๐๐๐ฆ ๐๐๐๐๐๐๐๐ ๐ฆ๐๐ข ๐๐ฅ๐๐ ๐ก ๐คโ๐๐ ๐กโ๐๐ฆ ๐๐๐๐ ๐ ๐๐๐๐กโ๐๐๐ ๐๐๐๐๐๐๐.โ
~ ๐๐ก๐๐๐๐๐๐๐
Taylor Grant retweeted
The year is 1976, and a young Congolese man jets into Kenya with a band that was barely formed. They had come for a series of shows that would take them several weeks and cover different parts of the country.
The band was not yet popular, although a few familiar faces were part of it, having made names for themselves through their work with other bands. They settled down and got to work.
The band began performing at Starlight Club along Milimani Road, off Argwings Kodhek Road in Nairobi. The same place also served as their rehearsal venue. Across the road stood an SDA church.
One Saturday, an innocent Kisii lady called Susan Moraa, who was new in the city and had come from Bosongo, got lost while trying to find her way to the church. As she looked around, she spotted the musicians relaxing in front of Starlight Club.
She decided to ask them for directions to the church. One of the gentlemen took advantage of the opportunity and began seducing her. She also liked the man, and they eventually exchanged addresses. That was how their love story began.
While Moraa hoped the relationship would last forever, the man understood that the nature of his work might not allow him to establish a family in Nairobi. Moving with the woman to his country would also require both resources and logistics.
Besides, most of the band members shared rooms. It was therefore impractical for him to start a family because the band itself could not generate enough income to enable each member to afford a separate house.
Soon, the time came for the band to leave Kenya. When the man informed his girlfriend, Susan Moraa, she was heartbroken and broke down in tears. She doubted whether he would ever return.
The man had to console her and give her an assurance that even if the band never came back to Kenya, he would return as an individual, with the principal objective of seeing her once again.
This is the background story behind "Embakasi" by Les Mangelepa. The song was composed by Kalenga Nzazi, popularly known as Vivi, and released in 1978.
It was dedicated to a lady called Susan Moraa from Bosongo and appeared on their album "Embakasi- First Anniversary Album."
The song begins with a goodbye and a message of hope, as the persona informs Moraa about his journey, which he describes almost as a disappointment because he cannot bear the thought of leaving her behind.
Tikala salama maya
Awa nga nakeyi
Libela te ma iyoo, yo mowa
Nabangi nde sima osala soni ee
[Stay safe, dear
I am leaving
Never for good, dear
I fear leaving you behind makes you ashamed]
He goes on to tell her that it is their last day together and that the following morning he is expected to be at Embakasi Airport. He encourages her not to be heartbroken, reminding her that his departure does not mean he will stay away forever.
Nga na yo Sue lelo nde mokolo ya suka
Mai oo maa ngai nakeyi oo
Moraaa, Sue nga lobi na
Embakasi uwanja ndege
Usivunjike moyo...
[Today is our last day, Sue
I am leaving, dear
Moraa, tomorrow I will be at
Embakasi at the airport
Do not be heartbroken ]
The climax of the song is another goodbye, as he paints a picture of himself up in the clouds, flying away, while being haunted by the thought of leaving behind someone he cherished.
The composer of the song, Papa Vivi Kalenga Nzanzi, died on 9th August 2022 at his home in Nairobi's Dandora Phase Two Estate after a short illness.
Moraa later relocated to Kisii, where she was married by a man from her community. Rumours had it that she was the owner of the building where the Akamba Bus booking office was located in Kisii town




























