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We're very excited to announce our newest book—
George Whitmore's NEBRASKA, an out of print masterpiece, with a new introduction by Michael Bronski!
Officially out next month, but available (and ready to ship) now through our website: the-song-cave.com
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Today's Feature:
"The Art of the Novel" by Amanda Nadelberg from Shake Until Cloudy published by @thesongcave
Read here:
poems.com/poem/the-art-of-th…
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Fantasies of control and debasement mix with memory in a new novel by Tom Cole. Yet amid orgies and benders real and imagined, there is occasional clarity—even enlightenment. @ericdeanwilson reviews “Chimes.”
thebaffler.com/latest/desper…
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Tom Cole will read at the shop on Thursday, November 12th, 2026. Following the reading, Michael Bronski will join him in conversation. The event will be held in person and virtually. Sign up via our website.
Excited about this haul from the song cave especially this collection of poems by my friend @amandanadelberg ❤️
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'To the earth's edge, where difference ends'
From The Maybe-Bird (@thesongcave) by Jennifer Elise Foerster 🤍
#poetry #poetrycommunity
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Weekends are always special when new books arrive. Today, it’s these three beauties from The Song Cave @thesongcave 💚 📚
• The Maybe-Bird, Jennifer Elise Foerster
• Shake Until Cloudy, Amanda Nadelberg
• Earthly, Jean Follain – translated by Andrew Seguin
#poetrybooks
One week from today! Join CLMP, Greenlight Bookstore, @thesongcave, @trouserpress, @TurtlePPress, and more at this official BKBF Bookend event on September 25: clmp.org/event/16th-annual-b…
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In Collier Schorr’s “Writing a Letter: Akerman Ballet, Act 1” (@thesongcave, 2026), the photographer recreates Chantal Akerman’s 1974 feature, “Je tu il elle” in dance. Read her conversation with @meganeogrady.
bit.ly/4A1e0Pj
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Folks I reviewed two great books THE SELKIE by Morgan Võ (@thesongcave) and DEEPER THE TROPICS by Matt Broaddus (@fonograf_ed) for @onlypoemsmag
Face for algo, I talk about fish, pears, capitalism, libraries, vocational awe and more
Read on their website 💞
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“Poetry, in Follain’s hands, is hardly the standard vehicle for introspection. Go looking for an “I” in these pages and you will be gone looking for some time.”
Eric Bies reviews Jean Follain’s EARTHLY: SELECTED POEMS (@thesongcave).
ocreviewofbooks.substack.com…
"...Cole has created a singular work that connects to and disrupts a lineage."
-Nate Lippens on Tom Cole's CHIMES: A MONOLOGUE @fullstopmag!
full-stop.net/2026/07/31/rev…
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one from PACES THE CAGE ft. on @lithub dedicated to whom it was dedicated & now to the dog I’ve become
lithub.com/borrowed-image-a-…
**BACK IN PRINT!**
Chantal Akerman's MY MOTHER LAUGHS, translated by Corina Copp!
the-song-cave.com/
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"Between our position of knowing and the staging of Craig’s realizations, Whitmore grants access to the feeling of that era."
Bradford Nordeen revisits George Whitmore’s “Nebraska.” lareviewofbooks.org/article/…
"Collier Schorr’s Balletic Homage to Chantal Akerman" in AnOther Magazine!
anothermag.com/art-photograp…
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In a New Book, Photographer Collier Schorr Learns Ballet harpersbazaar.com/culture/a7…
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"Whitmore corrals our burden of experience adeptly, using literary ciphers to yield, like trap doors, to the heft of feeling, the gravity and the consequence, for the historically impugned."
Bradford Nordeen reviews George Whitmore’s reissued “Nebraska”: lareviewofbooks.org/article/…


























