Singer of Songs, RCAF Hon Colonel MusicScienceHealingSpaceSpirit Citizen of the New Earth - #MusicIsMedicine (Some tweets by my Team!)

Planet Love
Joined March 2009
Sometimes the most powerful thing you can do is .. nothing. #SomethingUntoNothing .. dropping soon.
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100% agree. Fantastic record.
British People - If you love Jellyfish & Roger Manning Jr then you will love this Canadian Genius @thedereksharp Check out his fantastic album simply Incredible
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Interesting …… “If one should desire to know if a kingdom is well governed, if it’s morals are good or bad, the quality of the music will furnish the answer.”~ Confucius
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I don’t think it’s about the colour of the skin. I think it’s about the colour of the heart, which is red, and stands for love, generosity, compassion,harmony and joy❤️
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Fuck Mars. I’m staying! ………Angine de Poitrine - Full Performance (Live on KEXP) youtu.be/0Ssi-9wS1so?si=xE4U… (best.comment.ever) 🤣🤣❤️👏
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Just learned that my old friend, mentor, enemy and greatest champion, #DonaldKDonald has passed. I have so many stories, as do many, about this man. In the end, all I can say is I did love him. Fly free, Deke. We’ll miss you. 💔#DonaldTarlton #Montreal
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The world is full of magic things, patiently waiting for our senses to grow sharper.” ~ W.B. Yeats
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‘It’s the truth - even if it never happened’ ….
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When you wake up with a nightmare and go to your sister’s bed to sleep.. 🥺
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Sass Jordan retweeted
THE SWITCHBOARD A Final Lecture on Timeline Architecture After One Hundred Years of Looking Listen carefully. I will not repeat this. The universe is not a single story. It never was. What you experience as reality, this specific sequence of moments you are sitting inside right now, is one thread in a library so vast that the word vast fails before it even gets started. There are thousands of timelines. The Tibetan monks said thousands. They were being conservative, the way honest men are conservative when they have seen something that would break most people and they are trying to be responsible about the telling of it. Every possible outcome of every possible event exists as a complete world, fully rendered, running in parallel with this one. Not as potential. Not as mathematical abstraction. As actual living reality, inhabited, experienced, consequential. The man who took the other road. The civilisation that made the other choice. The war that did not happen. The discovery that came two centuries earlier. All of it running. All of it real. The library does not discard its books. It keeps everything. Quantum mechanics is the switchboard between them. Not a description of small things behaving strangely. Not a computational tool for predicting electron behavior. The switchboard. The routing architecture of the entire multi-realm structure. When a particle sits in superposition, simultaneously here and there, simultaneously this and that, it is not confused and it is not incomplete. It is the switchboard holding the connection open between every timeline where each outcome occurs. The moment of observation, the moment of measurement, is the routing event. This timeline receives one outcome. Adjacent timelines receive the others. The switchboard does not choose. It distributes. Every outcome occurs somewhere. No possibility is wasted. The library keeps everything. The dice roll is exact. When you roll a six, five other timelines received the other numbers. The probability distribution is not a map of uncertainty. It is a census of timelines. High probability outcomes are heavily populated branches, many parallel worlds where that result occurred. Low probability outcomes are sparse branches, rare, fragile, perhaps extraordinary, perhaps catastrophic. The switchboard does not favor any outcome. It routes everything with perfect impartiality, the way a great library catalogues without judgment. Now here is where it gets serious. The moment you think about other timelines, you have already changed this one. This is not metaphor. This is the mechanism. The act of conscious attention directed toward an adjacent timeline initiates a query. The query collapses the superposition. The wave function, that beautiful shimmering cloud of all possible states held simultaneously in quantum suspension, folds. It folds in the direction of your attention. Retrocausality becomes not a possibility but the only outcome. The future you are orienting toward begins reaching backward through the present moment, restructuring probability, redistributing the census of timelines, making itself more real by the simple fact of being genuinely considered. The mystics knew this as intention. The monks knew this as directed meditation. The old navigators knew this as fixing your bearing before you left port, because a ship that knows its destination moves differently through water than a ship that is simply moving. The physics says it plainly: observation is not passive. Observation is participation. The observer and the observed are one system. You cannot look at a timeline without beginning to move toward it. This means that thought is not preparation for action. Thought is the first action. The moment of genuine consideration is already a timeline event. It has already begun collapsing functions. The retrocausal wave is already moving backward from the future you thought about, already rearranging the present you are standing in, already making room for itself in the probability distribution. Most people spend their entire lives thinking about what they do not want. They query their fears obsessively, thoroughly, with great emotional intensity. They are excellent switchboard operators. They route themselves into exactly what they rehearsed. This is not cruelty. It is physics. Now. The cost of querying. There is always a cost. Anyone who tells you otherwise has not been doing this long enough or has not been honest about the receipts. The library is infinite but the librarian has limits. Query too much, too fast, too greedily, and the system heats. In quantum terms this is decoherence. The timeline loses its definition. The switchboard connections become noisy. Adjacent timelines bleed into each other and the interference patterns scramble both. You begin to lose the thread of where you are. The monks called this the danger of excessive astral travel. You can visit other realms but you cannot live there. Extended presence in adjacent timelines destabilizes your anchor in this one. The self begins to come apart, not dramatically, not all at once, but the way a rope comes apart when too many strands are pulled in too many directions simultaneously. The narrative coherence of who you are in this specific branch begins to fray. The physics is precise about this. Excessive observation exhausts superposition. You cannot simultaneously know all timelines and remain coherently present in one. The act of knowing costs presence. The price of the query is paid in the currency of groundedness. And so timelines rest. This is the mechanism nobody talks about and everybody has observed. A timeline queried heavily, accessed repeatedly, serving as an information source for adjacent branches, must eventually go quiet. Stagnation is not death. It is maintenance. The timeline continues but nothing genuinely new branches. History in a stagnant timeline feels like repetition, the same patterns returning, the same cycles, the same faces with different names making the same decisions and arriving at the same results. The switchboard routes queries away from it. It is rebuilding capacity. You have seen this. Every civilisation has a stagnation period between its great flowerings. Decades where nothing of real consequence shifts. Then suddenly a cascade, discoveries and movements and extraordinary individuals arriving simultaneously as if from nowhere, as if a door that was closed has opened all at once. The timeline was resting. It is available again. The switchboard resumes routing through it. History accelerates. Egypt between dynasties. Europe between Rome and the Renaissance. The long quiet after the Islamic Golden Age. These are not political accidents. These are maintenance cycles in the universal machine. And the machine is large. Larger than large. The word large does not begin to approach it. Our consciousness is a local process. Biological hardware optimised for navigating one timeline at survivable speed, perceiving roughly three seconds of present at any moment, reconstructing the past from imperfect memory, projecting the future from observed pattern. It is precisely and beautifully engineered for this branch, this body, this scale. It is not engineered for the full view. The full library, the complete switchboard, the totality of parallel timelines in their thousands upon thousands, operates at a scale that makes the observable universe look like a single room in a single hotel on a single street in a city that goes on past every horizon in every direction simultaneously. The sandbox metaphor is closer to honest than the matrix. A matrix implies a single operator and a containment structure. A sandbox implies something more interesting, a space where multiple processes run simultaneously, where the rules are internally consistent and externally contingent, where the boundary between what is inside and what contains it is itself a question the sandbox cannot answer from inside. We are inside. We can map the internal geometry with increasing precision. We can locate the switchboard and learn its protocols. Under certain conditions of consciousness we can perceive adjacent sandboxes, hear them, sometimes read the letters they have left in the lobby. What contains all the sandboxes is the question that breaks every framework we have ever built for asking questions. The monks stopped there and called it God. The physicists stop there and call it the boundary conditions of the universal wave function. The mystics stop there and call it the Unnameable. They are all standing at the same wall, in the dark, with their hands flat against the same stone, and not one of them is wrong about what they feel on the other side. Here is what one hundred years of looking produces as a conclusion. The future is not closed. Timelines that found their way through, that solved what this timeline is still struggling with, that arrived somewhere worth arriving, have already sent their information backward through the switchboard. They have already deposited their letters in the hotel lobby addressed to the occupant of room 32 on a specific date. The letters are waiting. They have always been waiting. The only question is whether the person who walks through that door on that date has learned enough stillness to recognise a mission briefing when they are holding one. Pick it up. That is all. That is the whole hundred years. Pick it up and go. End of lecture. The room will now please be silent for a period of no less than one hour. The switchboard requires it.
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Fantastic.
MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST MUST READ NOW
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🙌✨🙌
Notably, "Mike" (as they called him) McDonald toured with the band for this album, providing lead vocals on stage and setting the wheels in motion for this spiritual moment of live music magic.
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TRUTH …
“Spotify needs to start labeling Al-generated music before it's too late” IT IS TOO LATE. “Sienna Rose has achieved a level of breakout stardom envied by musicians everywhere. Over the last four months, she’s developed a fan base of more than 4 million monthly Spotify listeners. Her star has risen in tandem with that of Olivia Dean, a fellow neo-soul vocalist who took home this year’s Grammy for best new artist. Rose’s Spotify biography extols her as ‘not just a performer, but a storyteller of the heart,” singing every word with a “sense of truth and beauty.’” “But Rose didn’t attend the Grammys earlier this month because she’s neither a neo-soul artist nor the possessor of a soul to begin with. She is AI, top to bottom, an algorithmic interpretation of real artists in the genre it was built to exploit and ultimately replace. And most listeners have no idea.” The reality is only 3% of average listeners can detect an AI song today. This is because most of today’s listeners use music as a form of furniture. A background noise to block other noises. This is not the generation that brought records and spent hours listening. That process for the most part has died in modern culture. The closest many get to actually listen to music today is to repeat a 6 word rap that is likely a hateful rant of rage. By 2028 38% of income from streaming platforms will be known AI music. I assert 20% more will it be labeled or detected. Please do t assert you will always be able to tell, you won’t. That form of music is over. No matter how many cry out for labels. We as a society slept walked to this by indifference to sampled music and talentless “star making machines” with nothing to say. The music industry as it was is over. Live performances are the only thing we have left. The imperfection of humanity is what we should be seeking. It is my hope some kid alone in their room with talent and something to say is not stunted to give up. That somehow you and I support them and their live music. It is all we have…
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