“Fully onchain” is NOT the finish line. Completely strip away the modern technological world we all know. @OnChainMonkey Genesis has been engineered around three extraordinarily fundamental foundations: - the Bitcoin blockchain.
- the English language.
- Mathematics. On any given timeline, as long as those 3 foundations survive, the knowledge and instructions required to reconstruct the original 10,000 works are designed to survive along with them. 🤯 I’m aware this is a fairly abstract concept to hold in your mind, but I implore you really think about what that means! There could be: no browsers. no web servers. no JavaScript. no SVG implementation. no image codec. no Ordinals explorer. no company or institution left to explain what any of it means. but because OCM Genesis has created an onchain recovery and verification system, the collection can STILL be successfully reconstructed in its entirety. 🧠 And it doesn’t merely preserve the artworks themselves. It preserves the traits, the geometry, the drawing rules, the pixel grid, the colour definitions, the historical metadata, and the cryptographic commitments needed to check whether the recovered outputs are indeed correct. So if “fully onchain” is the only metric you’re using to categorise the permanence of digital art, I’m here to tell you that that metric is no longer enough, and that that barometer you’re using is already outdated. 😬 You’re going to have to dig deeper…..MUCH, much deeper. 🕳️ Down past storage. Past dependencies. Past software. Past rendering environments. All the way down to this question: “Could someone who has lost our entire technological era still recover the art?” That is the level OCM Genesis is now operating at. And after actively looking for comparable examples across the history of onchain and digital art, I have yet to find another collection with a preservation architecture anywhere near this comprehensive. @OnChainMonkey, as always, stands alone! 🐵 !RISE to alien levels of intentionality, execution and permanence.