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ALT Handwritten transcription in a greeting card of a poem from the poetry collection The Last White House at the End of the Row of White Houses by Michael e. Casteels (Invisible Publishing), with the book sitting nearby along with a mug of tea
ALT Black-and-purple promotional poster on a dark grid background for the launch party celebrating A Nation of Tinkerers: A History of Electronic Music in Canada from 1945 to 1985. The design uses large, bold purple typography with a distressed texture. The event features author Michael Rancic in conversation with Peggy Hogan, with DJ sets from Zi! (MTL) and Akanbi (NYC). It takes place September 3 at 8:30 p.m. at Systeme, 7119 Saint-Hubert.
ALT Graphic celebrating one week since the release of A Nation of Tinkerers: A History of Electronic Music in Canada from 1945 to 1985 by Michael Rancic. The black-and-green graphic features the book’s green cover alongside the headline “One week of A Nation of Tinkerers!!!” Below, a message of thanks reads: "It's hard to believe that it's only been a week since my book came out, and I just wanted to say thank you. Every bit of encouragement, from the kind messages of congratulations, to the media coverage and thoughtful reviews, to getting tagged when you pick the book up from a local shop has meant a great deal to me. It's been a long process to get to this point, and now seeing the support the book has received so far has been incredibly special. I’m so grateful to everyone who has taken the time to read it, talk about it, recommend it, or simply cheer me on.
ALT Blue poster with a wave-pattern background promoting the New Feeling & Maisonneuve Summer Reading on August 17, 2026, at 7 p.m. at Houndstooth, 818 College St., Toronto, celebrating New Feeling's print anthology and Maisonneuve Issue 100 with multiple featured readers.
ALT Promotional graphic with a dark green background and oversized 3D green typography reading "A Nation of Tinkerers." Yellow text announces: "Book Launch – July 28." The event celebrates A Nation of Tinkerers: A History of Electronic Music in Canada from 1945 to 1985 by Michael Rancic. The evening features a conversation with Melissa Vincent and a DJ set by Automaticamore. Doors open at 7:30 p.m. at Osler Records, 2A Osler St., Toronto.
ALT Headshot of Zane Koss, seated outside in the middle of a city on a sunny day
ALT The cover of Country Music, by Zane Koss. The background is yellow patterned wallpaper, and the text is in blue in an "old-timey" font. In the middle, there is a photo of a cabin in the woods with mountains visible in the distance, and a few vehicles from decades ago parked in front of it
ALT Two photos, both Black women. On the left is a photo of Jessica Kasiama and on the right a black and white photo of m. nourbeSe philip. A title below indicates that this is an interview, below which sits the Toronto Review creature logo. The background to the image is a bright, tomato red.
![Pitches should briefly (200-300 words) outline your idea, why your piece is timely, and provide a bit of background on who you are as a writer including links to previous work.
Please use “PITCH (Section): [Brief title/description]” in your email subject line.
We regret that we cannot accept pitches for interviews or poetry at this time. With the exception of fiction, please do not submit completed works before pitching.](https://pbs.twimg.com/media/HEa3gLfa8AAQnN-.jpg?name=orig)
ALT Pitches should briefly (200-300 words) outline your idea, why your piece is timely, and provide a bit of background on who you are as a writer including links to previous work. Please use “PITCH (Section): [Brief title/description]” in your email subject line. We regret that we cannot accept pitches for interviews or poetry at this time. With the exception of fiction, please do not submit completed works before pitching.
ALT We accept work from international and Canadian writers alike, though we prioritize Toronto-based writers. We currently pay $150 CAD per published piece.
ALT While we are grateful for your interest in writing for Toronto Review, we regret that we have limited spaces in our editorial calendar and therefore cannot accept most of the wonderful pitches that cross our desks. We encourage you to think carefully about each section’s mandate before you pitch and not to be discouraged by potential rejection.