
PhD student 19thC travel in Egypt/treatment of mummified remains🌍mummy brown paint🎨 @MummifiedNR @RiderHaggardSoc📖 @issegyptomania🪲the Gothic side of life🦇
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ALT Stranger in a Strange Land: Intersections of Egyptology and Science Fiction on the Set of Stargate Stuart Tyson Smith Abstract Films like Stargate and The Mummy reflect deep and long-held Orientalizing notions about the nature of ancient Egyptian civilization. Popular media like films are deliberately designed to appeal to modern audiences, adapting historical contexts and imagery to suit contemporary beliefs and concerns, some of which have a long and fraught history. On the one hand, these films depict alternative views of ancient Egypt that often dip into hyperreality, on the other they could be condemned as distorting the past and reinforcing Egyptological and archaeological stereotypes. Placing them in the context of their production, considering the diversity and deliberate messaging of their directors, producers, crew, and cast, complicates the nature of their reception, in some cases exacerbating and in others mitigating their negative impacts while creatively exploring an alte





































