Journalism that unpacks the global authoritarian toolkit, such as the abuse of new technologies, the rise of oligarchy and the manipulation of scientific fact.
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ALT Promotional graphic for The Atlas featuring a photograph of a person playing football in shallow seawater. Text reads “The photographers behind The Atlas” and “Curious about how the newspaper comes together? Come join us on October 28.” The photograph is credited to Mario Heller.
ALT Black-and-white photograph by Aryan Pramudito showing a close-up of a person’s face overlaid with a cityscape and railway tracks, creating a layered double-exposure effect.
ALT Night-time photograph by Daniel Desormais showing two people outside a building on a narrow street, illuminated by a bright exterior light. One person sits in a chair while another stands nearby.
ALT Promotional graphic for The Atlas online launch, featuring the newspaper’s logo and overlapping covers from previous issues. Large text reads “ONLINE LAUNCH” and “October 28, 1PM ET/6PM CET.”
ALT A world map with numbered markers showing where The Atlas has reported from, above an introduction to the newspaper and a table of contents. The introduction describes The Atlas as a newspaper about the planet and its people, with no paywalls or logins. The contents list stories from cities and countries including Shanghai, London, Delhi, Cholpon-Ata, Havana, Johannesburg and Tehran, as well as features on the Dalai Lama, the Pope, drones, AI and global events.
ALT Page 2 of The Atlas, announcing a virtual launch event on Wednesday, 28 October. The page features a colourful illustration of the Bibliotheca Alexandrina overlooking the Mediterranean, with an airplane flying overhead and the text “We live in the same world. Let’s read from the same page.” The page also includes event registration details and publication information.
ALT Cover of The Atlas, a newspaper, dated 24 September 2026, Issue 5. The headline reads “Soul Searching: Silicon Valley, the Vatican and the fight over the meaning of life.” The cover features a vintage-style illustration of a person praying in front of a church confessional, overlaid on red computer code, symbolising the intersection of technology, religion and spirituality.